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Powerwolf @ Frimis Salonger, Örebro, Sweden 21/10 – 16

Posted in Music, Uncategorized with tags , , on October 21, 2016 by Sara Hammerzmith

So, this day could not come sooner, if you ask me. I had had some strong PCD right after the Stockholm show, so this couldn’t come any sooner if you ask me. And conveniently enough, this round was in Örebro, a tad bit closer.

I had originally planned to go somewhere around 13, but being a bit of a timeoptimist or something, I wound up leaving at, I don’t know, 13.30? Something like that, BUT, what made it perfect was the fact that for some reason, the mail were early today. And I saw my mum coming in with a brown CDON envelope, and I just instantly started growling “Lady Gaga, Lady Gaga, Lady Gaga”, because, I don’t know if you know, but Lady Gaga’s new album “Joanne” was released today. Like, the album I didn’t think would ever come. And it was so perfect that it arrived in time, it left me with new tunes to listen to in the car on my way to Örebro.

So, I packed everything into the Festival Van as I call it – in other words, when the backseat + trunk has been turned into a small caravan with matress, storing units, iPod speakers and lamps for someone to live in, and headed off toward Örebro.

And firstly… hearing Lady G’s voice again, on new tunes, after all these years were pure heaven. And especially the song “Dancing in Circles”, like, holy fuck. What a tune. But, I’ll get back to “Joanne” in my review of the album, but, yeah, I had a lot of fun passing cars and “screaming” to them that it “WASN’T LOOOOOVE, IT WASN’T LOOOOVE IT WAS A PERFECT ILLUSIOOOONNNN”

So, pitstop at my favorite Örebro-ing Subway on Västhagagatan, I had a fine dinner and blasted some Civil War in the car while getting ready for the show, and then heading over to the venue.

When I had looked at pictures, it seemed like it was a lot of parking spots, but upon arrival (and of course I drove the wrong way at first) I noticed pretty much all of them were reserved. Gladly, Paula came to my rescue and told me there were some unmarked spots where the others had their cars, so finally I could park.

And then, I could finally go and say hi to the gang, and starting with Madlen whom I haven’t seen since Clermont-Ferrand. It was nice seeing her again! We took off rather quick again, for Paula and Ted to have some dinner and for me to use a restroom. But once back again, we could properly catch up.

When we saw a large crowd approaching, we decided to get in the line, just in case you know, and once they opened the doors we, calmly, walked in and claimed the front row positions. I did look forward to actually seeing this show from the front for once, and with my babygirl with me as well!

After a fairly long wait with catching up with long time no see friends and just generally hanging out, it was time for Civil War to begin.

Civil War

I can begin here to say that the stage was very small. Like, there was literally about 50 cm or so for Patrik to be on, Paula actually asked me “They are four in CW right?” and I’m like “Nope, five” and she was like “Oh dear…” But you know, small stages, the intimacy with the band, it’s quite amazing don’t you think?

They started off their set with “USS Monitor” and seriously, it was just a go right away. Expect for one thing. A little before Civil War had arrived, one of the most obnouxious people arrived. Some drunk guy who felt entitled to claim space he actually came too late to get. And when I called him out on it, he started getting aggressive. Oh. What a start. If it wasn’t enough, he kept going all through Civil War.

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All that aside, it was an amazing set. I’m not sure if it was because I had been awaiting this day, or if it was because of the intimacy, but seriously, it was just sooo good. I can’t wait ’til this band go on tour again. Thank you, Civil War!

Gladly, right after this, the annoying guy and his entourage disappeared, and we could quickly reunite with our friends for the brief pause between the bands. Of course, this didn’t last for long becasue Mr Annoying were of course returning about five minutes before Powerwolf went on stage. Of course. What else.

And this is where it’s starting to get a bit heated. Like, very heated, between me and him. But it was just to shrug it off, because you can’t let someone like that ruin the show. Especially not when the lights finally went out and the intro started.

Powerwolf

And then you know… “BENEDICTUS…” It’s like you’re lost and everything disappears. Well, almost, except for Mr Annoying. But it didn’t really stop us at first. They continued on with “Coleus Sanctus” just as preciously, and in all honesty, the situation with the guy behind me started getting out of hand. They continued on with “Amen & Attack” and like I’ve told you so many times, this song is one of my absolute favorites live. And there was no exception for today. Except, you know.

It’s one thing to have a crowdpressure behind you, but this guy was just being a jerk about it. Trying to squeeze in between me and Paula, dryhumping me, touching me at a point… We called over the guards, and no less than three people put in complaints about the same guy, but the security simply said “this is what it is”. And this is the time I feel someone staring at me. And I soon catch the eyes of no one less than Roel.

With gestures, he’s asking me if I’m okay, telling me he also noticed the jerk behind me and that he’ll be watching me. How sweet isn’t that?

After still having no luck with the securities, and all three of us running real tired of his shit, I got Roel’s attention again, asking if I was ok, signaling I’m alive but this guy is just bullshit. He basically let me know he’s gonna handle it, and at first I was like… ok? Whatever, what can you do? All you can do is move on with the show.

So understand what an unreal moment it was for me, when the tourmanager of Powerwolf appeared, pointed the guy out and said to the guards “I want this guy removed from the venue”. Guards tried to argue a little, but the manager stood his ground, and a security guard came and evicted him from the area. I thanked Roel over and over again for this, and he let me know it was no problem.

And seriously. Can we just… I’ve never had anything like this happening before, and in all honesty, can we just appriciate this? For a moment? How they seem to really look after their fans to put up with bullshit?

Somewhere in the midst of this, songs as “Sacred and Wild”, “Army of the Night” and “Resurrection by Erection” was pulled off. From here, it’s a little bit of a blur because of the drama, but all was fine for “Armata Strigoi” although I felt like I wasn’t even there.

This was followed by “Dead boys don’t Cry” and “Let There Be Night”. And seriously, as you noticed, “Kreuzfeuer” is out of the setlist, but I love “Let There Be Night” almost as much, you know, it’s the feeling of this song when it’s played live… like you are lifted to higher levels or something. Right now I have no idea how to possible explain it.

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“Werewolves of Armenia” was next, followed by “In The Name of God”. They wrapped up the set with “We Drink Your Blood” and “Lupus Dei” before leaving the stage for a swift moment only to arrive again.

“Sanctified with Dynamite”, “Saturday Satan” and “All We Need is Blood” wrapped up an amazing set for the night.

Thank you Powerwolf for this amazing show, and thank you Roel and tourmanager for making it bearable. I said to Daniel after the show, that it’s something about this band – it’s just so addictive. For everytime you see them, you get the urge and need to see them even more.

We caught up with our friends for a quick picture, and then off to the merch where I got the chance to say hi to the guys in Civil War once more, and then later join my friends in the parkinglot for a last good bye.

Thank you, to everyone who was at the show for making it the best possible ever – Dani, Toni, Madlen, Paula, Ted, Robert, Powerwolf, Civil War and the unknown girl whom I fought the guy with – thank you all.

sovis

Oh. I got some delicious bruises from the annoying guy as well.

bruise1 bruise2

// Sara

 

Back to Iwo Jima

Posted in Uncategorized on October 20, 2016 by Sara Hammerzmith

Today has been the most stressful day. First working a little overtime at the work, and then starting to prepare for the show tomorrow. FINALLY, FINALLY, seriously, I was walking around listening to “Gods and Generals” at work today, and I can’t wait, simply cannot wait to be at the Civil War show again. And Powerwolf too of course, but seriously, Civil War!

Speaking of Civil War, talking about preordering again, I’m finally getting around to preorder the new HammerFall album as well as the new Civil War. I had originally planned to preorder it all directly form Napalm, but upon inspection, noticing it won’t ship until Hector is in stock I sort of feel I rather order the albums from the regular CD store and then order Hector on it’s own.

Speaking of that, Olly Murs is coming out with a new album as well. And putting it all in the cart, I’m now realizing that had I been a bit smart, I could have saved myself a lot of shipping costs by putting all of these albums in the same cart…

Oh well. It’s reassuring knowing a lot of albums are now incoming. Finally! It’s been some time. Or well, it feels like it. Cannot forget that Sweet Creature’s new album is also on the way. I love new releases.

And what albums should I bring for the road tomorrow? There I have something to sleep on.

// Sara

Fancy

Posted in Uncategorized on October 19, 2016 by Sara Hammerzmith

Two days until release, and this is the time I find it a good time to preorder both the new Amaranthe album as well as the new Lady Gaga album. I don’t know what has happened with me lately – usually I’m good at preordering like months and months ahead, but now I’m doing it with just days ahead, same story for “Monstereophonic” when it was time.

Why is this? Is this because of lack of time, or this lack of interest? I really don’t know anymore, but I’m very very excited that I finally placed the order, because I can’t wait to have both of these albums in my hand. Fresh music with both Amaranthe and Lady Gaga, what could possibly be better? Especially the latter one, seeing I was worried for a while there would be no LG5.

And also. The smell. The smell of new albums. Ahh.

Reign of Terror

Posted in Uncategorized on October 18, 2016 by Sara Hammerzmith

So, suffering a bit from post concert depression, as always, I met up with Kyo downtown after work for some catch up dinner. It’s sort of crazy – I’ve been thrown into a work position where it feels like time just disappears constantly – for instance – Ireland is only three weeks away! How crazy isn’t that?

It was nice to sit down and talk a bit about everything that has happened and that will happen, and enjoy a nice meal. We stopped by the partystore to pick up supplies as well.

Speaking of that. I really, really, cannot wait any longer for this Lordi tour to embark. HONESTLY. It’s going to be so good. I’ve stayed away from as much spoilers as I possibly can, and despite knowing the setlist, I haven’t seen any actual performances yet, which makes it even more interesting. And then of course, our little tricks. We had a successful pilot made during Powerwolf over the weekend, and now I simply cannot wait to do it for real.

// Sara

Maximize

Posted in Music, Uncategorized on October 17, 2016 by Sara Hammerzmith

So, a couple of days ago Amaranthe released a new single off their upcoming album, and it so happened to be the opening track off the new album, “Maximalize”.

So, well, where do I begin with this song. It starts very typically Amaranthe, like we heard in songs like “Hunger”, “The Nexus” and “Digital World” to mention a few, and it continues on walking on the borderline between metal and pop, in that perfect way that only Amaranthe can really do. It’s got a toned down yet interesting verse, and a catchy, sticking and fun chorus. Very similar to old opening songs, as far as song structure goes.

While still being a lot on the pop side, it’s not in any way as bad as “That Song” was, and after hearing this I’m looking more and more forward towards the album coming out this Friday. Seriously. I love how they released three completely different songs. Smart move!

// Sara

Armata Strigoi

Posted in Uncategorized on October 16, 2016 by Sara Hammerzmith

This day was like, soooo slow! Or, I don’t know. I was supposed to go with the earlier bus, but decided to reschedule it in order to get some extra sleep. Poor little Robert had to get up superearly for work, but I could sleep in a bit. Got up with him to say some last good byes before he left, and then went back to bed. After a night like last night, it’s sort of hard to focus and sleep well, but I got it together somehow.

Sleepdeprived and with the slayerneck from hell I started collecting and putting my things together before making it down to Stockholm downtown. Since I made it quite about two hours ahead of bustime, I sat down and enjoyed a late and tasty “breakfast” at Espresso House, taking the time to finish some of these writings.

espresso

This one show has been great. It was a great start getting back into the gigs season, especially seeing my tours are coming up. Thank you guys involved – Dani, Toni, Robert, Sindra, Michelle, Claudia, Sandra and of course Powerwolf and Civil War. You are amazing!

// Sara

Powerwolf @ Klubben, Stockholm, Sweden 15/10 – 16

Posted in Uncategorized with tags , , on October 15, 2016 by Sara Hammerzmith

The day was here! Finally! Seriously, like I said earlier, this couldn’t have arrived earlier. After a few ifs and buts regarding wardrobe, I went with the “Usual” clothes I’ve started using for this band, and started to put on my makeup when Robert came home from work. We had some improvised lunch based on popcorns before we got on the road and went to pick up Sindra before heading to Globen.

Once there, we met up with Michelle and had some quick dinner at Subway and then heading back to Fryshuset. We arrived exactly on the moment the doors opened, so it was nice. It was really, at least for me, cold outside so I was thrilled that we’d be let in directly. Especially since I also really really needed to go to the bathroom. So, after that was done we got into the venue and.. well. Started waiting. In the midst of everything, I get a text from Dani asking if you can pay the doors with cards… well.. no. Lucky for him and his friend, I had just withdrawn a lot of money so it was easily resolved.

So, once it, it was a bit of, I guess, catching up time. Haven’t seen these two since Clermont-Ferrand earlier this year, which, in some cases are fairly recent, but still feel like ages away. And very soon, Civil War started.

Civil War

So, right on time the boys went on stage and started off their set with “USS Monitor”… and seriously. I’ve missed this band so much. And that start off… It’s a nuclear attack right on. Seriously, having that particular song as a start off is just the most perfect start of what is to evolve into a perfect set of the night. The performed probably the longest set I have ever seen with them, and what made me superhappy was “Gods and Generals”. It’s one of those songs that I at first didn’t really notice, but as time went by, I started appreciating it more and more. I hoped they’d play it live, and they did. Made me superhappy.

They wrapped up the set with “Rome is Falling” – and I’ll be honest. having Noch Ein Bier being my first show ever with Civil War, I have always since then been wondering “Will they do Rome is Falling?” not because I think they’d exclude it, but because that anticlimactic moment stuck with me.

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But, the show was amazing. It was so good, and I’m so happy to see them again. After this, I went out to get some water and then eagerly waiting for Powerwolf. Getting water seemed to be a task done hard, and I was back with the people just a little bit before Powerwolf began.

Powerwolf

So. Lights out. Intro rolling. Band walks on stage. And then… “BENEDICTUS…”

It’s like time is stopping. I’m not sure how many of you readers have ever been to a Powerwolf show, but what happens when they start, is that time stops. Everything around you just seizes to exist – it’s just you, the band, Attilas voice echoing through the venue, before you absolutely just lose it.

They followed up with “Coleus Sanctus” and then “Amen & Attack” – this song, like, I don’t think I’ve ever considered this one my personal favorite, however, it’s my absolute favorite song live. And a bit to my surprise, there was a moshpit starting. Or actually, it was already in “Blessed and Possessed”, but again. I remember when I saw Butcher Babies, and no one did anything. But at a power metal show, apparently they do.

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“Sacred and Wild” was next song on the list, followed by “Army of The Night”. This song being the first song that really, like, caught my attention with this band, how can I possibly explain the feeling of Attila’s voice, “Mater Mariiiiiaaaa” echoing in the hall? The feeling of it? It’s indescribable. It’s a euphoric state of enlightenment, almost as you are lifted up, at least in spirit. Although it feels like you are levitating.

“Resurrection by Erection” was next, followed by “Armata Strigoi”. I must admit, while this may perhaps not be the best there has ever been, I still think there was a good reception from the crowd. They were with the band, singing, yelling, whatever, and I like that. It’s good to see an active crowd from up here.

“Dead Boys Don’t Cry” was next, and then… “Let There Be Night”. This song, on the other hand, is one of my personal favorites. Most certainly, the key segments. The segments after the choruses. We’re kind of back there with “Army of the Night”, but now it’s the work of Falk Maria’s finger that fills you up to the point where you feel like you’re about to burst. Seriously.

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“Werewolves of Armenia” was next on the list, and I would dare to say that our side, Attilas side, sort of owned Falk Marias. Not to be like that but… Suck on that one, people! “In The Name of God” was next, followed by “We Drink Your Blood” where we did our first pilot test for some new shenanigans to do at Lordi shows. Without saying too much, I can say the pilot went fine, and the shenanigan is now officially green lit to do in Ireland.

They ended the set with “Lupus Dei”, before they thanked for the night and went off. Or well, not really.

“Agnus Dei” started echoing, and as powerful as the first opening, “Sanctified with Dynamite” started echoing, and seriously, these songs are simply so well made for opening. It’s an instant slap in the face, the instant adrenaline shot you need to get started.

“Saturday Satan” and “All We Need is Blood” wrapped up the set, and they left the stage for this night.

It was a great set, and a great night. It’s so good to see them again, finally. It has really only been like, six months, but I still crave that mineral.

After the show, we hung around for a while catching up before Robert and I headed home.

Thank you, to everyone involved in this show! I can’t wait for Friday.

// Sara

 

 

 

Resurrection by Erection

Posted in Uncategorized on October 14, 2016 by Sara Hammerzmith

Finally back on the road again! Quite honestly, it’s been waaay too long for me. I can’t believe I have actually not been on a trip nor a show since Sabaton Open Air. No lies when I say that this was long overdue, and that it was good to be back on the road again. The travelfever hit in a usual, and I’m just assuming it’s because of the lack of traveling really.

So, on the bus again – my beloved Swebus. Never ever have they failed me. It was the best feeling in the whole world when you have tucked in your luggage underneath, taken your seat, gotten comfortable and just stare out the window as the bus passes by city by city toward your destination. And the feeling you get when you finally reach Stockholm – lovely lovely Stockholm and you know that you are back in business.

Right after I got off, I jumped on the train toward Robert’s place and after a pretty sure trainride, I was there. He met me at the trainstation and we went off to the supermarket to pick up goodies for the evening. I had originally planned to go down to Harry B James to catch a band, but after a few ifs and buts I, or well we, decided to stay in, have a nice pizza and watch “The Metal Mass” DVD as preparations for tomorrow.

mealmass pizzaaa

It was a nice evening – talking, catching up, watching the mighty wolves – perfect moodsetter for tomorrow.

 

REVIEW: Eden’s Curse – Cardinal

Posted in CDs, Music, Uncategorized with tags , , , on October 12, 2016 by Sara Hammerzmith

Eden’s Curse is a melodic hard rock band based in the United Kingdom, though the members of the band today are spread across the world. After the success of “Symphony of Sin”, the band took a two year break to work on and produce their fifth studio album, that we now hold in our hands as “Cardinal”.

This album starts off with a build up, emerging in a stomp off before heading into a heavy riff with melodic elements to it, before diving into the melody line that is the prechorus before exploding in the chorus with a statement saying “here we are”, heading into the second song that on the other hand is extremely melodic with serene melody hooks that stays in your mind, with an enchanting prechorus, to name a little.

I’ve noticed, in my notes, that I’ve used the word “pleasant” and “cosy” a lot. And I guess these two words do describe the album the best. While the album finds itself with a few heavier songs, such as “Messiah Complex”, I’d say the strongest elements on this album are the melodic hooks accompanied with the singers amazing vocal work. And not to mention – the beautiful cameo of Liv Kristine in “Unconditional”.

However, a song that caught my attention a little extra was “Utopian Dreams”. When I heard those synthesizers opening the song, working as a red thread throughout the song with it’s half-cocky lyrics, I was simply sold. This is one of the perhaps a little heavier song, but it all comes down to the melody line of the synth – and I honestly think this is my personal favorite of the album.

I really, really like this album. I think this album is a step forward from “Symphony of Sin”, with a lot of strong material, incredible hooks and some amazing vocal work. I really enjoyed this album, and I look forward to put some of these songs into a festival playlist, right next to Kryptos.

EdensCurse_Cardinal_Booklet.indd
(Label: AFM Records)

CDON I Amazon I Ginza

// Sara

 

 

The Acoustic Principle

Posted in CDs, Uncategorized with tags , on October 11, 2016 by Sara Hammerzmith

So, about “The Holographic Principle”… What intrigues me a little extra, especially seeing I have the earbook edition, is the “The Acoustic Principle” bonus CD. Actually, this one may, and this is going to screw your heads over, a little bit more interesting than the actual album. Now this is an album where we hear Epica perform a way we have never heard them before.

It cover five songs – “Beyond the Good, the Bad and the Ugly” (“Beyond the Matrix“), which is more of a jazz/lounge music approach to “Beyond the Matrix” – seriously, this sends me right into a hotel lobby with a drink watching Simone in a long gown performing this in the 1920’s or something.

“Dancing in a Gypsy Camp” (“Dancing in a Hurricane”) where they take the oriental elements, well I was going to say a few steps further, but more like, a few miles further, going all the way, setting the mood of being in a gypsy camp at night, almost making you start moving your hips simply because of the enchanting rhythms.

“Immortal Melancholy” which has… perhaps more folk elements to it? It’s very soothing. Sends my thoughts back to a tavern at night time in front of the open fire with some mead in hand… Seriously, can we discuss how moodsetting this extra CD is?

“The Funky Algorithm” (“The Cosmic Algorithm”) do I even need to actually explain what this song sounds like? In case you didn’t get it from the title – funk! And there’s something truly remarkable, and new, to hear Simone use words as “booty”. I love this though. Seriously. I’m just directly thrown into a transcendental room where everything is literally tripping.

“Universal Love Squad” (“Universal Death Squad”) this is essentially Epica going Disney and Celine Dion. This is nothing but a serene ballad, soothing you and your soul while listening to it. This is the kind of song I’d put on when trying to relax.

I seriously love this. I love when bands themselves do other versions of their own songs. Not only does it show alternative ways these songs could be made, and how easy you can turn a song like these into anything else, but it also shows how wide these musicians are in their musicianship.

// Sara