Archive for the CDs Category

REVIEW: 21Octayne – 2.0

Posted in CDs, Music, Uncategorized with tags , , , , on January 11, 2016 by Sara Hammerzmith

21Octayne consist of three guys from Germany that are all well-established in the metal community, having played with some of the big icons. So, they all got together and formed the hard rock band we now know as 21Octayne. In 2014, they released their long awaited debut ”Into The Open” which was received well by the critics, and now they are back with their second one – ”2.0”

So, let’s move on to the album. It starts pretty cheeky, with a catchy uptempo song, where we see proof of Hagens amazing vocal capabilities. Sadly, from there, it goes downwards. The album is, in my taste very flat. No real surprises, most songs sounds the same. There are a few OK songs – like ”Lost” which I found pretty cute.

And then there’s ”Tale of a Broken Child”. Despite not being a fan at all of the album in it’s entirety, I fell in love with this song. The lyrics, the melodies… Ah yes. They hit it right with this one.

Sadly. One song isn’t exactly what I need to call this a good album. They will get some credit for being a DIY album, seeing Hagen is doing most, or all, of the production work, and it’s a clean production. But there isn’t much more I can say about it than that, sadly.

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(Label: AFM Records)

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// Sara

Beat It

Posted in CDs, Uncategorized on December 30, 2015 by Sara Hammerzmith

So, miraculously, CDON managed to ship “Gods and Generals” to me RIGHT IN TIME for New Years, and after a quick trip to Knastret, I can finally say I broke it. I reached 300 before this year was over, and I’m super happy about it.

So what albums did I get then? Well first and foremost, as I told you – “Gods and Generals” with Civil War.

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Secondly; Sabaton – Primo Victoria, re-armed version.

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Thirdly; Mastermind – Angels of the Apocalypse. I am not at all familiar with this band more than that I’ve heard their name, so it’ll be very interesting as soon as I sit down to actually listen through it!

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Fourth; Toto – The Seventh One. I actually hold this precious one on vinyl, but at the moment I’m just too lazy to convert it myself, and I’ve been wanting this on CD for SO LONG.

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And lastly; Van Halen – 1984. Also one of those albums I’ve been wanting to get for a very long time but never got around too. But finally, it’s in my possession.

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So, yeah. I feel pretty accomplished today. But now, bedtime!

// Sara

Non Stop Rock n Roll

Posted in CDs, Music, Uncategorized on December 3, 2015 by Sara Hammerzmith

I’m going to talk a bit about this album, “Non-Stop Rock n Roll”. I have talked about it before I’m sure, but seriously…

I recently re-discovered the album on our way down to Gothenburg to catch HammerFall and Civil War, as we decided to bring a CD from every shelf. Seeing Wig Wam has it’s own shelf, the choice was easily made. I can honestly say that “Non-Stop Rock n Roll” is by far Wig Wam’s best album ever made.

I’ve always been of the opinion that Wig Wam sort of re-made their albums over and over again, but improving them. Like, “Wig Wamania” was a new version of “Hard to Be a Rock n Roller” and thus, “Non Stop” becomes a better version of “Wig Wamania”. And seriously… This is one of my personal favorites as far as albums goes.

It starts off like a punch in the stomach with “Do You Really Wanna Taste It?” and continues on with the a bit heavier and rougher “Walls Come Down”. After this comes two more, to the music, happier songs – “Wild One”, which, despite the cheery music, is not a very happy song. “C’Mon Everybody” is the other one. And then it comes.

“Man in the Moon”

Like… Where do I even begin with this song? This is essentially the new “Bygone Zone” which is absolutely fantastic, but “Man in the Moon”… I get both extremely happy when I hear it, but I also feel like crying. I’m not even sure how to explain… The mixture of the music, the lyrics and Glam’s voice just makes it… epic. For being such a scaled down song. The melody line in the chorus is to die for…

“Still I’m Burning”… I love this song. It’s a more upbeat song, and most importantly – it features Teeny on vocals. For some reason, the more albums came out, the more the other members started singing. The song is… how do I explain this. It’s rough, almost a bit possessive, needing, craving. God I love it’s intensity.

And now… I’m going to talk about the best song on the album.

“Rocket Through My Heart”.

It might be hard to believe that this one is my favorite, considering what I wrote about “Man in The Moon”, but honestly… This song is… it has this low profile. When I hear this song, I think of summer. I think of festivals, I think of sitting in the park with a drink in your hand with your loved ones, catching the eye of that person that is or at least could be your lover, listening to an old school stereo. It has this 80’s vibe, this… how do I write this. I can’t. It’s just… perfect in so many ways without being particularly difficult, experimental or extreme. It’s just the perfect song for a perfect night.

Seriously. Wig Wam may be long gone, and I might not listen to this band at all as much as I should nowadays, but this album.. this album my friends. Some of the best bits, I tell you.

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// Sara

REVIEW: Leave’s Eyes – King of Kings

Posted in CDs, Music, Uncategorized with tags , , , , , on September 23, 2015 by Sara Hammerzmith

At the top of the pack, as far as symphonic metal goes, Leaves’ Eyes has spent over a decade brining us world’s history set to music, and this time around, the lyrics are about Norway’s first king, Harald Fairhair. To create the magic that is this album, they’ve had help by the White Russian Symphony Orchestra, as well as the London Voices choir. If this wasn’t enough, the album also features guest-vocals by Simone Simons from Epica and Lindy-Fay Hella from Wardruna.

The first thing I notice about the album is the distinct atmosphere. While Leaves’ Eyes has a strong catalogue with enchanting melodies and epic arrangements, this one catches my ear a little bit more, as it has incorporated a bit of that medieval, or perhaps viking elements which helps setting the mood and tune for the entire album, which is set in the viking era.

The lyrics are well-written with a strong story-telling vibe. Together with this arrangements, it brings you right into wherever the songs may be set. And it gets even better by the occasional instrumentals. One thing that I really liked about this album, was that I didn’t really notice when the song changed. And unlike Butcher Babies, were all the songs would sound the same, this time it was all because of the instrumental which prepared you for the next song, and helped you get into the mood. I love these kind of things – when the bands or artists really make an effort to make it a listening journey, rather than just an album.

So let’s talk a bit more about the songs. I’m going to move straight onto my personal favorites – “King of Kings” – the epic, atmospheric bar-setting titel-track of the album which gives you a premonition about what is about to come, the more intense “Halvdan The Black”, the feasting song “Vengeance Venom”, the epic “Sacred Vow” and can we take a moment to appreciate “Edge of Steel”, featuring Simone Simons from Epica. And I guess Epic would be the right word to describe this song. It does make me think a little bit about “The Quantum Enigma”, so I’m not surprised I like it. The calming rhythms in “Haraldskvæði”, all of this wrapped up with the playful “Sword in Stone”.

But, to sum this up, I really like this album, okay. It’s a solid album with quality material. Well-arranged, well-written, well, everything really. It’s a step up from the previous albums, and even a tad bit better if you ask me. I hope they stay on this track in the future, but regardless – they should be proud of themselves as far as this album goes.

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(Label: AFM Records)

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// Sara
Note; Lindy-Fay Hella guests on “Blazing Waters.

REVIEW: Stahlmann – CO2

Posted in CDs, Music, Uncategorized with tags , , , on August 28, 2015 by Sara Hammerzmith

German metallers Stahlmann has had quite an impressive career. Right after the release of their first EP, “Herzschlag” AFM Records signed them and in 2010, their self-titled debutalbum was released. They did numerous of tours following the release, and it was followed up with “Quecksilber”(2012) and “Adamant”(2013) which both made spot on the German Media Control Albums Charts.

With their robotic-like image, Stahlmann is once again back with their fourth album, “CO2” that is said to be similar to previous works, but will now show a more mature side of the band. With the addition of electrical and dubstep elements, they hope to reach a bigger crowd.

So, how about the album then?

How should I describe it. It’s very… dramatic. In a way. There’s a lot happening in each song. It can go from sort of aggressive to very calm in just one song, and they have a lot going on with the electrical parts. As far as arrangements goes, this is actually pretty impressive and keeps the listener interested.

However, there’s about where it stops. Because sadly, most of the songs sound the same. I barely notice when the song changes, aside a few exceptions such as “Die Klinge” and “Speigelbild”, which is a tad slower than the rest.

Towards the end it does get better.”Wenn Engel Tanzen” and “Der Letze Tag” are actually pretty decent songs, and it almost makes it worth listening through it. However. I have one big problem with this album, and it lies in all of the songs.

This is so influenced by Rammstein you can hear the hamster from Knappnytt singing “Du Hast” through it.

The first thoughts that went through my mind when I heard the music starting, was Rammstein. When Mart started singing, all I could think of was Till Lindemann. Both music and sound are so alike Rammstein that I’m not sure what to do with all of this. It’s decent material… but it’s too close for me to call it original, which makes it lose a bit of it’s credibility.

To sum it up; Decent material, but it’s not original enough. Sorry Stahlmann, unTill next time…

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(Label: AFM Records)
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// Sara

 

Butcher Babies – Take It Like A Man

Posted in CDs, Music, Uncategorized with tags , on August 26, 2015 by Sara Hammerzmith

So, finally, after all this time it’s here! Butcher Babies second album, following up the EP “Uncovered” and the first full-length “Goliath”. As I wrote yesterday, I have really waited for this album for a long time, and when it finally dipped down… ah, the relief!

So, anyway, I had only heard “Monsters Ball” prior to getting the album itself, so I wasn’t really sure what to expect. I wasn’t exactly the biggest fan of “Monsters Ball”, seeing it’s pretty… monotone, or how I should say it. It lacks melody, and I’m a sucker for melody and that is what pulled me in with songs as “Magnolia Blvd” on “Goliath”, for instance.

Sadly, much to my dismay, the album continued a lot this way. Maybe it’s me who’s just very new to the whole scene, but it all felt so plain. It could just as well have been the same song over and over again, except for a few exceptions. It’s a shame in a way – Carla and Heidi are doing a pretty solid job with the singing part, which makes it sad that the music is as plain as it is.

The exceptions, however, are pretty decent. The melancholic “Thrown Away” slows down the album quite a bit, and is a good “cut off” to the straight fast shredding that has occurred on the five previous songs, and perhaps my personal favorite on the entire album, “Never Go Back“, which brings me back a bit to “Magnolia Blvd” as far as arrangements go. “Never Go Back” is like, the little light on the album.

Sadly, right after this little breakdown, it goes right back into the monotone shredding and growling, I’m not lying when the only times I actually notice the song changing is because I start hearing that or that word which belongs to another song.

What makes me the most sad about the album is that there are some songs that has potential. They are almost there. Most songs has very well written lyrics, especially “Igniter” but they all fall short because of the plain music behind it. Then you have songs as “Dead Man Walking” and “The Cleansing” that has good sections, the choruses now that I think of it, which could have become so much better if the rest wasn’t so plain.

So, basically. It’s not even close to being as solid as “Goliath”. In my eyes, it’s a bit plain, but I want to emphasize that I’m not an expert on this genre, so maybe some of you think I’m completely dumbfounded based on what I said, but yeah. I had hoped they’d be brutal, but still have that melody that they had on “Goliath”, which is not present.

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But who knows, maybe it’ll grow on me.

// Sara

REVIEW: Borealis – Purgatory

Posted in CDs, Uncategorized with tags , , , , on July 5, 2015 by Sara Hammerzmith

Canadian metallers Borealis are returning to the scene with their 3rd album, following the smaller success of their two previous albums, “World of Silence” which was released in 2008, and “Fall From Grace” which came in 2011. “Purgatory” was recorded in the Sanctuary studios, and the recordings and mixing was done by drummer Sean Dowel, and mastered by Thomas “Plec” Johansson.

The album opens up with someone running, assumingly in the hosptial judging on the heart monitor in the background and eventually, when the heart stops beating, it launches us right into the heavy truck that is Borealis, and that track is “Past the Veil”.

And this song kind of sets the mood for the whole album. It’s heavy tunes with fast-beating drums, yet sensitive lyrics that hits hard at home. Despite them taking a step a bit further from their previous albums, it’s still the same Borealis that we already knew of.

However, what it lacks, to me, is variation. We got to ballads on the album, aside that, most of the songs sound very alike, and so do the ballads. Some songs had it’s moments – like the keyboard part in “The Chose Ones” and the trippy guitars in “Destiny” which also held some epicness…. but aside this. It was almost like it was one long song, which necessarily has to be something bad but…

There were a few songs who stood out for me – “Past The Veil”, “My Peace”, mostly because of the child reading the note in the middle of the song, and my personal favorite on the album, “From The Ashes”. I have no idea who the woman singing is, but I absolutely loved the way the song was built up, as a duet which added so much to the lyrics and the song, ultimately making it my favorite song. I have a weak spot for arrangements, and this was perfect.

So, wrapping it all up, a few decent song, but it’s a bit plain for me. But on the other hand, you have to put one foot in front of the other, and see a lot of potential here.

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(Label: AFM Records)

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// Sara

30 Minutes

Posted in CDs, Uncategorized on June 22, 2015 by Sara Hammerzmith

While at Graspop, I determined that Dionysus might be one of the best, if not the best, band Sweden has ever produced, despite them not getting too far. And this morning, dreadful morning after Graspop where I found myself going to work only mere 30 minutes after coming home from Oslo/Brussels, Dionysus was the perfect company.

And I can’t help but to keep on going with my so far favorite release, “Anima Mundi“.

So, where do I even begin with this album? At the titletrack? The titletrack is without a doubt my personal favorite on the entire album, but you can’t forget epic songs such as “March to Freedom”, the intense opening “Divine”, although I think this one comes off as a computergames song, which, is a good thing for me, haha. “Eyes of the World”, “Paradise Land”… and last, but not the least… “Forever More”.

You’d almost think the last one isn’t a part of the album, it’s very “Here I go Again”-ish, but I guess that’s it you know. The greatness, the big sound and epic chorus that just makes it beyond perfect. It doesn’t beat “Anima Mundi”, still, as that one is what I’d call an anthem, and you can’t beat anthems but damn.

Dionysus sure helped me pull through this morning.

// Sara

Shipwrecked

Posted in CDs, Music, Uncategorized with tags on June 16, 2015 by Sara Hammerzmith

Today was a pirate kind of day, an Alestorm kind of day. For today’s pleasure, I blasted their 2011 album “Back Through Time“.

I haven’t to this day listened through this album, as it was a part of the big haul from Sweden Rock and it has taken me some time to go over that (because I also have to spend time listening to the bands I’ll be seeing on Graspop)

Without having heard “Sunset on the Golden Age”, I can say that this far “Back Through Time” has to be my favorite Alestorm album. Songs like “Sunk’n Norwegian”, “Shipwrecked”, “Back Through Time” and “Swashbuckled” (this one this one this one!) are just some of the perfect examples on better tunes on this one.

What really caught my attention, I must admit, with this one is how short it is. I managed to go over it about three, four times in a very short period of time (I have a schedule I have to be done within) which surprised me. But when you notice that one of their songs is seven seconds you aren’t all that surprised anymore…

But yeah. I’m not sure really what to add to this – it’s the same Alestorm as always, and always as enjoyable. Gives you that extra strength to climb all the stairs at 4 am in the morning.

// Sara

Back Through Time

Posted in CDs, Music with tags on June 15, 2015 by Sara Hammerzmith

Starting my second job this week, which means I will travel long distances on a bike every morning for a couple of hours. This is the perfect time to listen through albums properly, instead of picking out your favorite songs and leaving it at that. This day, partly as a preparation for Graspop I spent the first hour going through Butcher Babies catalogue, which consists of the ep “Uncovered” and the full-length “Goliath”. I think both albums are pretty decent. I’m not gonna sit here and praise either of them, because like with SlipKnot – the good songs are really good, and the bad songs are really… bad, in a way you could say. But to focus more on the good, starting with “Goliath” – “I Smell a Massacre“, “Goliath“, “In Denial” and “The Mirror Never Lies“, topped off by my personal favorite “Magnolia Blvd” are the better songs on the album. What all of these songs, for me, have combined is the perfect mixture of heavy/brutal-ness, melody as well as attitude in the singing. Seriously, “The Mirror Never Lies” is a song I could play… whenever. I should probably blast it when going to Boda Borg with our newbie, so he knows what he’s getting himself into.

Moving on to “Uncovered“… Well, first of all, it’s an EP so it ain’t a lot to take from. Most of the songs on these album seem to be on the theme of party. “Beerdrinkers, Hellraisers”, “Don’t Give a Fuck” etcetera…. None of these are my faves, I’m gonna head right for the two big for me – “They’re Coming To Take Me Away” is the first. For being Butcher Babies as we know them, it’s pretty melancholic in a way, but I just… They got it. Carla and Heidi makes it sound like they are possessed or something, which I assume is the core with the song, which is a cover of Napoleon XIV’s old song.

Second one is “Crazy Horses”, simply because it reminds me… no. Just kidding, what I really like about it is the guitarsolo. It’s, as Curt would put it, trippy. A little up and down haha, I don’t know how to properly explain it. But I can listen to the song only for that little part.

So yeah. Get prepared for a few of these in the future, or at least for the next few weeks. // Sara