Archive for the Music Category

Too Fast For Love

Posted in Music, Uncategorized on November 19, 2015 by Sara Hammerzmith

I’m going to continue this walk down the memory-lane of Mötley Crüe. I already talked a bit about the show in 2007, being my start, and now I’ll continue.

The second time I ever saw Mötley live was in 2009 at Peace&Love festival. I queued in the sun for 12 hours that day I remember, and wearing a crossback top, I had the weirdest tan for the rest of the year. Because of my high pigmented skin, I tan very easily and it disappears very slowly. On P&L I was actually fairly close to the stage, for a change.

2010… Oh god. I barely even want to talk about this show. It was Sonisphere. They played after Alice Cooper. Throughout the entire day of Sonisphere, which is a one day festival, it rained. Rained and rained, I have pictures from Alice Cooper where you can see all the puddles. After Alice Cooper, I took off my boots and emptied them on water. I went over to see Mötley Crüe, and then I left the arena with more mud on me than clothes.

In 2011, Mötley Crüe announced their British tour with Def Lepard and Steel Panther, and of course, we were there. Sofia and I took the plane and attended the classic Wembley Arena to witness these three bands. We had seats way in the back, but in all honesty… We kind of decided a bit off. At first we thought no, but then we figured why not? And rather seats than no show. It was an amazing show by all three bands, and I’m so glad we went.

To be continued

// Sara

Smokin’ In The Boys Room

Posted in Music, Uncategorized on November 18, 2015 by Sara Hammerzmith

It has finally started to dawn on me. To dawn on me, that this was really the last time I ever saw Mötley Crüe.

Mötley Crüe is together with Alice Cooper the first few of the bands I ever came into as far as hairmetal goes. I remember when I bought my frist Mötley album – classically, it was a best of album of course. What got me, was when I saw Tommy Lee wearing pink and blue stripes, which reminded me of Stala & SO., and therefore I figured I’d give it a go.

This was at a timeperiod when my computer imported music backwards, or more, they listed all the songs backwards. So the first I ever wound up hearing with Mötley Crüe was “Same Ol’ Situation”. I fell in love instantly, and it remains my favorite song even to this day. This was in October 2006, so technically, they made it before KISS, which I more commonly refer to as my start of my hairmetal era.

In 2007, it was announced Mötley Crüe was coming to Sweden, and we got tickets directly. Ticket wizard as I was already back then, standing tickets it was. When going to the concert, we actually stood at the front row of the second barrier, but once Mötley actually started (Papa Roach was supportband) the pressure was a little bit too much for me at the time, so I snapped some pictures and got out more to the center of the venue.

 

But my strongest memory, in 2007, is that I saw two women being a bit behind us in the non-crowded area dancing around to all the songs.

That’s why it’s so extremely special that I now, in 2015, am one of those women in the non-crowded area, dancing around with two of my best friends.

And that, is what I call a very special moment in music.

// Sara

Mötley Crüe @ Globen, Stockholm, Sweden 16/11 -15

Posted in Concerts, Music, Uncategorized with tags , , , , , on November 16, 2015 by Sara Hammerzmith

So… I don’t even know how to begin this blog. I’ve been seeing Mötley Crüe live quite a few times on and off since 2007, and knowing that this is supposed to be the last time I’ll ever see them. It feels a bit surreal… I don’t… I don’t even know how to put this to words. So I won’t for now.

The day began lazily. For once, ONCE we actually had the opportunity to sleep in. I think we got up around noon, had breakfast and took a quickie downtown before we met up with our amazeballs friend Robert for some dinner before the show. It was raining like there was no tomorrow, but we somehow made it to Taco Bar anyway. We had a fun dinner with lots of jokes and plans and whatnot before we headed out in the rain again to get to Globen and the very last show.

As soon as we got out of the metro, we ran. Not because we were late, but because THE RAIN. Rain is all cool when you sit inside, with your window open and a few lit candles and a “nice” (*cough* Hunger Games *cough*) book, but not when you are about to go to a show. Gladly, since we were so “late” there were practically no queue at all, so we got in immediately. Directly, we headed for the merchandise to get the for me, mandatory tour programme. That is pretty much all my current budget allows, but on the other hand, I must admit there weren’t a whole too many good designs.

At this point, it was about ten minutes left until Alice Cooper would go on stage, so we went down to the standing area. To our surprise, it was actually pretty…thin. I mean, not entirely, but I really thought there would be more people than this.

With a five minute delay, Alice Cooper went on stage to the rhythms of “Black Widow”. He quickly followed up with “No More Mr Nice Guy” and kept up that pace throughout the whole show. The set of the night were pretty similar to the shows he’s done earlier this year, of course a bit shorter because of time, sparing only the “hits” or the “good ones”, in what also felt a quicker pace than usual.

151116alicecoopergloben1bass

Regardless of this, Alleysan never, and I tell you NEVER, fail to entertain. Like I told you before – I wasn’t sure if I came for Mötley Crüe or for Alice Cooper, and despite seeing this set for about the third time this year, he still entertains me. And also. Seeing the Frankenstein doll on the big screen did freak me out a bit. I’ve never seen it so up-close, and now I was actually frightened by the details. Good on you, Mr Cooper.

151116alicecoopergloben3frankenstein

Alice left the stage, and left us waiting for Mötley Crüe. I’d lie if I say I wasn’t having mixed feelings about this. On the one hand, I couldn’t wait to see Mötley Crüe again, because despite them being so “bad” they are still Mötley Crüe, it’s still all those songs I love. But on the other hand, I didn’t want it to be over.

And right now time, the intro song started and the boys started the show with “Girls, Girls, Girls”. I must admit, I was a bit surprised by the choice of song, but… how can I care, how could I possibly care that much when Tommy, Vince, Nikki and Mick are on stage. It’s hard to comprehend that it was really only five months ago I saw them before this… But it’s something with Mötley Crüe, and it has always been. Whenever they come, I come.

Second song of the night were “Wild Side” followed by “Primal Scream”. And what can I say… This is a big show. There are pyros and fire-spewers literally everywhere, explosions and what else. A pricey show, I guess you could call it.

151116motleycrue2vinceneil

The second guitar was brought out, and the very song that actually began my entire fanhood of Mötley Crüe was ripped off – “Same Ol’ Situation”. For the last time. This was followed by “Don’t Go Away Mad (Just Go Away)” and “Smoking In The Boys Room”.

 

“Looks That Kills”, “Mutherfucker of The Year” and “Anarchy in the U.K” was fired off before the arena went completely dark, only to be lit up by Nikki Sixx putting his mic stand on fire for “Shout at the Devil”. For those of you who may not know, Nikki Sixx’s current mic stand hangs from the top of the stage down, and has a up-side down star on it, much like the album cover.

“Louder Than Hell” came on before it once again becomes completely dark, but this time to the tunes of “O Fortuna”. I wasn’t sure what to expect from this, more than that I stood a long while thinking about from where I recognized the song (Clash of the Choirs, Team CANS) and then, Tommy Lee came out for his drum solo.

And finally, I got to figure out what the big metal thing standing half way into the arena was.

It was the rollercoaster. 

151116motleycrue1tommylee

After all these years. After all these years, and all these prototypes.. it was finally here. The rollercoaster. The Rollercoaster Tommy Lee had spoken about so much in the past. Finally, it was here. And it was damn good. He started his drumsolo accompanied by some club music as the rollercoaster slowly started going upwards and then starting to twist and turn a bit. He went for the ride all the way to the center of the arena, which so happened to be exactly where we were standing.

When sitting there in the middle of the arena, Tommy got emotional and talked about this moment, and how important it was for him, but also how saddened he was, and how heavy his shoulders were from what had happened in Paris just a couple of days prior, and asked for a minute of silence. Of course, there will always be jerks who has to yell through things like this, but it was really, really beautiful. He then started his ride back to the stage where Mick joined him for a mind-blowing guitarsolo.

“Saints of Los Angeles” was quickly fired off after this, followed by “Live Wire” and “Dr Feel Good” before wrapping the whole set up with “Kickstart My Heart”. And what an ending, my god. Nikki and Vince were put up on “elevators” and shoved out in the audience. Oh my. What an ending. Confetti and pyros EVERYWHERE. It’s like they used all their last power.

They thanked for the night, and left the stage.

151116motleycrue3nikkisixx

In the middle of the arena, where Tommy’s rollercoaster ended, there was a drumset. We weren’t sure what to make of it, but we hoped that maybe Tommy’d play it. And when we saw the crew start to prep it, we realized that we, or at least I, would come closer to Mötley Crüe than I have ever done before. And we were right. After a bit of time, they came up on the little podium together for one last good bye in “Home Sweet Home”.

And by that, it was over. Done. Finito. The very last time I’d ever see Mötley Crüe… was over. But this, this my friends, were the best good bye I’ve witnessed so far.

I went to this show with the worst expectations possible. I expected to barely even recognize the songs, to see Mötley Crüe being out-shined by Alice Cooper, but at least see the people who meant so much to me. But I got more. I got a Mötley Crüe who could play together. I got a Vince Neil that actually SANG all, or at least most, of the words, which he hasn’t always done in the past. I got to see Nikki Sixx talk about how a knife represents persistence and that with that, you can go far. I got a Mötley Crüe who seemed genuinely happy to play. I wasn’t sure if I came for Alice or Mötley, but I came for Mötley. I really did. And most importantly…

151116motleycrue4band

…Mötley Crüe delivered one of the best shows I’ve ever seen them do on their very last show in Sweden, and I’m glad I was there to witness it. 

Thank you, Mötley Crüe. For all these years.

// Sara

Nightwish @ Annexet, Stockholm 15/11 -15

Posted in Concerts, Music, Uncategorized with tags , , , , , on November 15, 2015 by Sara Hammerzmith

So the start of the mini-weekend was here. It’s sort of a reversed weekend. Usually a “weekend” stretches form Friday to Sunday, but in this case it’ll be from Sunday ’til Tuesday, starting off with Nightwish.

I began the entire morning by oversleeping, but gladly I made it to the bus with a breath. I slept most of the trip over here to Stockholm, and right after we arrived we sat down to have something to eat before getting to the hotel.

Once at the hotel we mostly just… rested. Slowly starting to get ready. I had planned this really cool outfit, but since the weather (rain) was working against us, I wasn’t really feeling it so plain pants and Amaranthe t-shirt it was. We started to slowly head over to the arena where we faced the queue from hell. I mean sure, we are “late” and we didn’t plan on getting any sooner, but we barely found an end to it! But once the queue moving, it went pretty fast actually. Before we knew it we had queued for 30 minutes, but it felt like ten. Good on you, Fryshuset!

We got into the venue and chose sidespots. We figured we might as well. I’m also going to take the time here to tell you all that it won’t really be that much of a review, seeing I’m fairly new to both these bands. While waiting for Amorphis to begin, I spotted a familiar face. It was Daniel, a friend of mine from home that I had completely forgotten was actually into Nightwish. So random to run into him.

Anyway. Right on time, 19.30, Amorphis entered the stage. They put on a good show with a lot of energy. The crowd… Well I guess they could have better reception than this, but hey, they didn’t boo, so I guess that’s a plus. I really liked it though, so I guess I’ll just add a few more million albums on my albums – to -get list.

151115amorphisannexet

After this, the fairly short wait for Nightwish began. We barely managed to finish our drinks before the arena went dark again and the intro started.

And I can tell you this. It opened with a bam. Pyros, narrative voice and “Shudder Before The Beautiful” kicked off the evening, and the reception from the crowd was amazing. You could tell they had been waiting for this.

And this is how the entire night continued on. The show was one big narrative, from start to end. It was almost like all of the songs belonged together in one way or another, and how it could go from upbeat almost happy rhythms to melancholic speeches and songs.

151115nighwishannexet

Usually, when I’m at a show with a band I’m not all too familiar with, I usually get bored easily. And I really thought this was going to be the case today too, but oh boy was I wrong. I was entertained from the first moment and all the way… about an hour and a half in. I was a little taken aback by the lenght of it, I wasn’t expecting that. And on top of that, I think this has to be the most abrupt ending since Noch Ein Bier where Civil War had to leave. They played the last song, and all of a sudden it was just over, after two hours. And I was like… ok? What happened? Oh well.

Regardless – this was a night of musical enigma, a show without being a show, if you know what I mean? Arrangements beyond this world, accompanied with pyros and fireworks in all the right places. Not that you need them THAT much when you have Floor. What a frontwoman. Love her.

Anyway. The show was over, and first of all we reunited a quickie with Daniel before getting back a bit to wait for people to leave. We weren’t exactly in a hurry, so we figured we’d wait out the worst. Eventually, we got out and hit up this cute little 24/7 fast food place… which turned out to be a nightmare.

First of all, the staff seemed really stressed and then… we had to wait some time for the food. I ordered first, a kebab roll, Michelle second – a plate of fries, and Linette last – some sort of roll as well. After about 5-7 minutes, Linette gets her food. After 15 minutes, I get my food. And Michelle – who had nothing but a plate of fries, had to wait 20 minutes. And I guess this wouldn’t be as bad if it wasn’t for the fact people who ordered after us got their shit first… Oh boy.

And on top of that, there was also an extremely rude and intimidating guest there, saying he was going to bomb that and that and swore and threw around the furniture. God, I can’t stand people like that.

After this, we parted ways with Linette and headed back to the hotel room. Tomorrow it’s time to say good bye (we guess) to Mötley Crüe. Feelings are still mixed.

// Sara

 

Powerwolf @ Trix, Antwerpen, Belgium 1/11 – 15

Posted in Concerts, Music, Uncategorized with tags , , , , , on November 1, 2015 by Sara Hammerzmith

The D-Day was here, to see the mighty wolves. Would you believe – it’s actually the very first time I’d see Powerwolf on their own headlining tour. I’ve seen them twice before; once at Sweden Rock and then on Noch Ein Bier. So I was really, REALLY looking forward to this concert, more than I originally thought.

We started the day off pretty early with band rehearsals for Antoine. It sounded really good, that’s all I can say. After this, we picked up on the good old gasstation food and got on the road to Antwerpen.

We arrived a couple of minutes before the doors opened and we quickly realized we needed to exchange our E-Tickets for real tickets, so despite being halfway inside, we had to go back out again. Once we actually MADE IT inside, we hit the merchbooth and picked up on each a Powerwolf shirt. We got inside the venue only to discover that despite arriving late and needing to go out and in again, we actually scored pretty decent spots. We stood on the left side of the stage, meaning, Rikard’s if you speak Civil War, Amen’s if you speak Lordi, Clown if you speak Slipknot.

Exactly right on time Civil War went on stage and started off with “USS Monitor”. The band was energetic when they entered the stage, and delivered really good. However. There’s something extra and truly sad about the fact that the band had to tell the light guy to put some lights on them, because they felt like they were playing in the darkness.

And they were right. They had a constant red light on them until Patrik told them to put on some more lights, which improved a bit, not a lot, and you know… when the BANDS has to tell you your light sucks.. man. They should think about getting a new light guy. Because this is just pathetic.

Civil War’s set was about 40 minutes long, consisting of “Saint Patricks Day”, “Braveheart”, “Gods and Generals”, “Bay of Pigs”, “I will Rule the Universe” and wrapping it all up with “Rome is Falling”. The band was really good – especially if you think back to the fact that the tragedy that was Noch Ein Bier was my first encounter with them, this was QUITE the difference. The audience was a bit lame, in all honesty, but I guess it’s to be expected for an opener.

151101civilwartrix1

So, they thanked for the set and left the stage leaving us waiting for Orden Ogan. And right on time, a quarter past 20, they started with “F.E.V.E.R”. Have I ever told you guys how much I love this particular song? They followed up with “Deaf Among the Blind”, and I’m not sure if the audience were just better warmed up or if Orden Ogan had a fanbase, because all of a sudden the crowd awoke.

But then again… the problems with the lights. Seriously. Whoever it was that did the lights that day should get a REAL call out. Seriously. You barely saw the band. What the hell.

They played for 50 minutes, and they truly delivered. I was very happy to see them again, and considering that they made me want to see them again right away kind of proves how good it was. The only thing I miss, was “Ravenhead”. For some reason they aren’t playing this particular one.

12191679_1004876069563481_6858570432016184862_n
(Photo by Antoine Grignard. This is what poor lightning gives you)

And after this… it was time for Powerwolf. At 21.30 sharp the lights started to find their ways all over the backdrop hanging in front of them, revealing the silhuettes of the band before joining together to enhance the Powerwolf logo, just before it all dropped down.

Flashing lights, heavy drums and “Blessed and Possessed” set off probably one of the more bombastic starts I’ve seen in quite some time. A strong opening was quickly followed up by “Coleus Sanctus”. “Amen and Attack” and “Cardinal Sin” followed, and then one of my personal favorites, “Army of the Night” was played.

151101powerwolftrix1

As someone who’s never seen Powerwolf on their own headlining show before, I was kind of… how do I put it… Impressive, I guess? I can’t think of a better word. Like I’ve said many times before, I’m a big fan of any band who has a strong image and concept, the way Powerwolf has. And what makes images and concepts even better is when they live it out on stage – like when Attila talks about how we celebrate the life and death of Christ, when he talks about the metal messes and so on.

151101powerwolftrix3

Or when he brings out the necklaces and starts preaching, the usage of the incensory in the last couple of songs, the wine glass for “We Drink Your Blood”… I appreciate things like this. Like, A LOT. I must admit I chuckled a bit when he made us shake our hands and scream in a possessed way. Humor is key, my friends.

They wrapped up the set with “Lupus Dei” before the crew came out and placed strings of fire all over the stage, and later returning (fairly quickly actually) to fire off three encores – “Sanctified by Dynamite”, “Kreuzfeur” and “All We Need is Blood”.

151101powerwolftrix4

After this, the wolves thanked for the evening and left the stage. As you probably understood from my previous writings, it was very good. And lights! There were lights! Thank God.

After the show I noticed Daniel on the other side of the venue so I left my company for a quick second to catch up with him and talk about the show. It was a bit hard to leave, since I don’t see him all that often. Eventually I got back to me peeps and we started to slowly head of the arena.

Halfway out, I notice the Civil War people was out and pointed it out to Antoine who wanted to have a picture with each of them. Once he was done with Patrik and Rickard, I leaned in and told them their show was good, but in Swedish. Patrik was like “Thank you so much.. OH WAIT SWEDISH! FINALLY!” Haha. I wound up talking to Rikard a little bit before coming with Antoine to take some pictures with the other members as well as them taking pics.

Before leaving, I figured I’d say good bye to Rikard, when he insisted I stay a bit longer. So said and done, I guess. And this lead up to about an hour of talking about everything and nothing, from Sabaton to Lordi to touring to beer. Eventually they had to leave, and so did we.

It was a really good night, better than I ever expected it to become, in all honesty.

Thank you, Powerwolf, Civil War and Orden Ogan for this night!

// Sara

 

 

 

Delain @ Biebob, Vosselaar, Belgium 30/10 – 15

Posted in Concerts, Music, Uncategorized with tags , , , , , on October 30, 2015 by Sara Hammerzmith

For the first time since Korpiklaani, it was, at last, time to get back on to shows. I must admit, I’m pretty new to Delain, but since I do enjoy what I have heard so far, I was rather excited to see them. We met up with one of Antoines friends around 17 and that’s when we got going. The trip went pretty good, aside missing the food stop and “having” (according to Antoine) to stop at McDonalds (I don’t mind, I love McD) we finally reached Vosselaar.

We arrived a bit late, so when we entered the venue the first supportband had already started to play. The opener of the night was Amberian Dawn which is a Finnish band formed in 2006. The music was really good, and I really enjoyed the show. The feeling in the venue was good too, so yeah, quite a good start!

IMG_20151031_030951

And yes, I enjoyed this so much I actually went and bought the album right afterwards. I probably made that sound like I never buy albums of supportbands, which I actually do a lot, but usually I even wait until the show is over, but I didn’t want to risk being without an album so I went right away. While I was at it, I picked up on “The Human Contradiction” while I was at it.

We moved forward a bit in the crowd, seeing Quentin and Antoine are big fans of The Gentle Storm.

The began pretty much directly after soundcheck (I love bands like this). They put on a really good show, and it seemed like there was QUITE A FEW The Gentle Storm fans in the audience that evening, seeing how many were actually getting into the show. And Anneke is such a showwoman! Enjoyed it a lot!

2015thegentlestorm

And after this… the wait for Delain started. Which wasn’t very long, just like The Gentle Storm they started pretty closely after the soundcheck and they opened the show energetically with “Go Away”.

The show continued on like this. A lot of energy from both sides – the crowd was on fire, and so was the band. Since I’m not too familiar with Delain, it will be a bit hard for me to give a detailed setlist of the night, so bear with me.

Something that I love, or perhaps WHAT, I love about Delain is how atmospheric they are. In their music. And the image. Charlotte looks almost paranormal, in lack of better words to use, in a way, like she has a connection with something else. And this, together with the music, together with the lights, makes it all so perfect. It was quite the show, even just the lights themselves.

151031delainvosselarr

The show sadly came to an end sooner than I would have liked to, but everything good comes to an end, right? It was, regardless, a really good show. Thank you, Delain, for this evening.

Right after the show, Antoine and Quentin headed backwards to meet up with Anneke from The Gentle Storm, while I headed onwards to catch Cyril and Laura. I don’t think they actually expected me to be there, despite giving clues, but they were very happy to see me, and believe me, I was very happy to see them too, despite Laura being ill.

DSC_2732 DSC_2733

12202127_10205225906074268_1073556143_n

So the rest of the evening sort of consisted of talking and catching up with them, dressing up Metal Pika for the cold and so on. We walked around a bit and caught up with some members from various bands as Laura and Cyril are pretty close to the band and they also introduced me to Charlotte.

That was an interesting situation. Laura was sad because Charlotte was about to leave and Laura really wanted to introduce me. I said to her not to bother, because it was alright, but she insisted and as I was going “no no no no” Charlotte caught our attention and eventually I was introduced to her. It was nice.

We went outside as Biebob closed and kept talking a bit more before Quentin forced us to go him since he had to work in the morning. Like I said, this was an amazing night. No joke. Meeting up with old friends are seriously the best.

// Sara

W.A.S.P @ Nöjesfabriken, Karlstad, Sweden 1/10 – 15

Posted in Concerts, Music, Uncategorized with tags , , , , on October 1, 2015 by Sara Hammerzmith

So, this was quite an eventful day actually! I went to town quite “early”, or well, at 13, to meet up with Linn and Michelle in order to attend a guitarclinic with W.A.S.P guitarist, Doug Blair.

So basically, we got there and it was… not a lot of people. Perhaps about 20, I thought it would be a bit more, but then again, Thursday 13…. perhaps not. Regardless, we all got into the little room and sat down and he came on pretty directly.

It was an interesting teach. To my surprise, it wasn’t too much technical guitarstuff, but more about his story and journey, and what to think about as an aspiring musician. He of course played us some stuff, it was things he had done for Orphaned Land, Lord of the Lost, some things he WANTED to do for Deathstars and some W.A.S.P material. The teach was over sooner than I wanted it to, what I mean to say here is that it was so fun and inspiring that it went so fast. Afterwards we got the opportunity to meet him and say hi.

12038344_10207710882560234_7327024668596081724_n 12096364_10207710882640236_4615563956299295367_n

Afterwards, we parted ways with Linn and went home to catch something to eat, watch a movie, get dressed for the night and eventually headed down to the arena for the show.

Since I’m a bit of a time optimist, we got on the road a tiny bit late, and it didn’t get better with us getting stuck behind a major truck who drove the wrong way, but according to my co-worker who worked at the venue that very night, we hadn’t missed a lot.

So, the first supportband of the night was the Norwegian thrashband Critical Solution. In all honesty, I wasn’t too fond of their music, it… I don’t know how to explain it. It didn’t really feel that special to me, but their image was cute. It was like merging a heavier band with the Murderdolls. It was odd, but a bit fun.

DSC04100

After this, we actually headed for the front row. I have seen Dynazty a couple of times before, however, I’ve never seen them with “Renatus” in their baggage, and since I didn’t really become a fan of Dynazty until that very album, I was really, REALLY excited for this one.

So, they walked on stage ar 20.30 sharp and opened the whole set with “Run Amok”, which.. startled me a little bit. I had assumed they’d start with “Cross The Line”, which actually became the second song on the set instead. Oh well then!

2015dynaztykarstadl1

For the third song of the night, my personal, not only Dynazty favorite, but favorite song all in all through times, “The Northern End” came. And seriously… this song… Like I’ve told you. It’s absolutely perfect. And it was just as perfect live. I love these guys. “Dawn of your Creation” was next on the list, followed by “Unholy Deterrent”.

2015dynaztykarlstad2

They wrapped the set up with “Raise Your Hands” and at last, “Starlight” before they left the stage. As you can see, it was a very “Renatus” dominated setlist, making every song but one from said album, but I’m not complaining at all. It was a really good show, I’m very pleased.

2015dynaztykarlstad3

After this, the wait for W.A.S.P began. Anna and Linn came to join us, but after some consideration, we decided to give up our front row spots for an old classmate and his girlfriend instead, since we weren’t really big enough fans of W.A.S.P to really find the pressure and drunk people worth it.

They were a bit late when they entered the stage, but once they did so, the arena… well, they gave them a welcome, perhaps not the warmest, but a welcome nonetheless. They opened the show with “On Your Knees”.

2015waspkarlstad1

They continued on with “Inside the Electric Circus”, “The Real Me” and “L.O.V.E Machine”.

And let me talk about something here for a moment. So, while I’m no superfan of W.A.S.P, I know their deal, and I know Blackie is a little bit of a diva nowadays, and I know he has strong opinion against people photographing. I can understand that it’s boring to play a show with a lot of phones straight up your face, and it is absolutely okay to prohibit photographing, if you announce it properly – by for instance, putting up signs.

Anyway, where I wanna go with this is the actions of the security guards. There was only one security guard who was even remotely active in looking into the crowd, sadly, he spent most of his time looking for cameras and making sure people weren’t photographing. Actually, it was more important for him to look for cameras, that he missed out on this one guy beating a girl. He missed out on this one guy pushing everyone for no reason, causing mayhem. He ignored this one guy who pulled down Linn a lot. He missed out on this one guy who repeatedly almost elbowed Anna in the face and so on. I can go on forever about people who were a little more than a concertgoer should have to deal with, and despite trying to get the attention, they were too busy looking for peoples cameras.

And when a request of the band becomes more important than paying customers safety, something is terribly wrong.

And perhaps Blackie should ask himself… why are they so attached to their phones? Why don’t they give things back? Perhaps the problem lies with him? Perhaps he isn’t delivering anymore. Perhaps he doesn’t give any energy to the crowd to feed off by, and if he can’t deliver why should the crowd?

Anyway. The set wasn’t very long in all honesty – They began around 21.45, and they were done a bit before 23. It was mixed materials – some old, some “Golgotha”, very mixed. I’m confused though – Doug said they were going to have a new set up on stage, but I can recall them having the same, or similar, set up just three years ago when I saw them the last time.

2015waspkarlstad2

I’m actually a little disappointed. Or a lot. In W.A.S.P that is, not Dynazty, not even Critical Solution. Blackie’s attitude just turns me off, and the way the security guards acted the entire evening kind of ruined the whole show. And the hype around this tour… too much. Anna was even confused afterwards by the fact they didn’t play “Chainsaw Charlie”, nor did they do “Blind in Texas”. I mean sure, you don’t have to do ALL your hits… but apparently they played the first two in Gothenburg and Malmö.

Odd. Very odd. Well, I’m not sure if I’ll be turning to W.A.S.P again after this, and in all honesty, I realized yesterday that I always went to see W.A.S.P because of the supportbands, so I guess it says it all.

After the show, we spent some time with my coworkers before heading home, catching like one hour of sleep before going to work. No rest for me!

// Sara

 

 

 

Korpiklaani @ Kulturhuset, Örebro, Sweden 26/9-15

Posted in Concerts, Music, Uncategorized with tags , , , , , , on September 26, 2015 by Sara Hammerzmith

So, this day started very interestingly, to say the least. At first, I struggled falling asleep because Michelle snored like there was no tomorrow. I kid you not – I went to the bathroom to brush my teeth, and I would hear her snoring all the way out in the hallway. After I woke her up, she stopped. So it was fine. Then I’d wake up then and then, perhaps because of “new” bed.

And then, I woke up in the morning because of a lot of noise. And I was so pissed, because it says very clearly outside that it should be silent between 22-08, so I was so ready to go and complain about it, but I was too tired. Eventually, I woke up for real and checked the time.

10.35.

10.35. The check-out due is 10. We were supposed to get up at 9. We freaked out, to say the least. Gladly, the hotel was a bit over-seeing with it, and let us do a late checkout without any additional expense. Than you, Hotel Micro! This is why I keep returning to you, always and forever.

Anyway. We got out around 11 and hit up the first Espresso House we could find to have probably the most expensive breakfast we’ve had in a very long time. We started moving towards the buscentral, but we did a quick stop at Creole. It’s really one of my favorite stores in Stockholm, so I’m so sad to see them close. I managed to pick up a pair of earrings though, will be great when I get my second pair of holes.

We thought about going to Blue Fox, but decided against it. Which was great, because the bus was set to departure five minutes earlier than I thought. I guess it was good in a way that we had the “Miss the bus” protection on those tickets, after all.

This time, we DID get the good bus, with extra legspace, leatherseats and all that stuff. Helped me a lot to finish up writing about the show last day, and to prepare myself for a maybe Delain show. For some reason, Delain was the only thing I could listen to.

We arrived in Örebro around 16, and we, alongside some other Korpiklaani fans, got off the bus and then we headed downtown. We wanted to find some store to find elastics for my hair, but instead we ran into a friend of mine. I wasn’t sure at first if it was her, but it was indeed! It has been a few months since I last saw her, so it was really good to just bump into her! Sadly, she told us all stores closed at 16, so off to Burger King we were, and we sat there for about two and a half hours. And what did we do? Well, first of all, sloweat, because I’m a sloweater. We planned the night, drew up some drafts, re-booked bustickets and then we changed clothes and put on our make up and all that stuff. at 18.30 cirka, we headed over to the arena, which was ten minutes walk from Burger King, I want to add. Oh. I went for the straight look, for a change, by the way.

DSC04041

So, we got to the arena and we sat outside for quite some time. They never opened the door. We didn’t quite understand why, I mean sure, we’ve been around for a long time so we have dealt with delayed doors time, like Noch Ein Bier for instance, but it felt so weird. When about 20-25 minutes has passed, a guy sitting at the open bar service mutters that the doors are around the corner, literally 90% of the people sitting at that open bar got up and left. So, we weren’t the only ones who were wrong, gladly.

The thing is, the place where the entrance was were also where the tourbus was. And since it was on a “backstreet”, we were pretty sure it was the backstage entrance, but apparently, it was both. We got downstairs, turned in our gear and the first thing we noticed was how small the place were.

We were in this location called “B-Salen” which I suppose is the smaller arena of the venue. It was as small as Knastret, the second hand record store we have here in town. It looked a bit like Knastret too – it had the same thing with the stairs, the decor, everything. Cozy. But we were surprised.

The only thing I don’t like with small venues like this, is the fact that the stage is almost floor size, which makes it hard for anyone who isn’t in the first three rows to see very good. So that was the only downside, but aside that, I can’t complain more. I like small places.

Just as in Stockholm, Grimner walked on stage a bit early. They were supposed to go on at 20 sharp, but got on stage somewhere 19.40-19.45. Again, I don’t personally complain, it’s more.. It isn’t too fun for the people who really believe they will start sharp.

But, lets forget about that for a moment. Grimner. The set was just as good and energetic today as it was yesterday, and it was a bit more exciting to see them today, as we knew a little bit more of them now. But yes, really good and really fun. The audience was with them too, gladly. Not as much as last night, but still in.

grimnersthlm1
(Because of lack of useable pictures of Grimner from Örebro, I serve you one from Stockholm)

Anyway, after this, the… fairly short wait for Korpiklaani begun. Last night, we had already witnessed them going on stage about 15 minute prior to their stagetime, and we were very… weirded out by the fact that the  host had set one hour between Korpiklaani and Grimner, when they only did 30 minutes the day before. They were said to go on stage at 21.30, so we had to wait and see, I guess.

Already when they check the last mics, I see the entire band – Jonne standing on the side of stage.

And then, the intro finally started.

And at the very time Matson entered the stage, the time was around 20.45. 

We are talking about 45 minutes. 45 minutes early, according to their original stagetime.

While this isn’t personally a problem for me, and I think everyone likes when bands doesn’t diva around and wait just because they can, being 45 minutes early is problematic. The most likely reason, is a typo from the host. That they meant 21.00 sharp, and not 21.30. What is remarkable, is the fact that they actually wrote TWICE that they’d start at 21.30. And that makes me question why on earth Grimner, and then Korpiklaani, would go on stage so early?

Anyway. Back to the show, they opened with “Viinamäen Mies” and despite it being a fairly small crowd, the welcoming was very big and warm.

The setlist was pretty similar to yesterday, so there is no particular point for me to break down the setlist song by song, but I will speak a bit about the atmosphere.

Nothing bad against Klubben now, because I love Klubben as a venue, but seriously. Korpiklaani in a small sized venue is something very, very special. First of all, Michelle and I were on the top of our game with our dancing, impressing people to the left and right during songs like “Sathi”, “Ruuminmultaa” and “Juodaan Viina”, but some of the most magical songs of the evening was found in, first of all, my all time favorite of course, “Sumussa Hämärän Aamun”, but also in a song I was never fond of, but has grown on me thanks to this very show; “Lempo”. Yes, I said it. I was never fond of “Lempo”, but I’m sold now.

2015korpiklaaniorebro1

But my highlight of the entire evening was “Pellonpekko”. What? And instrumental song? What the heck? No see – this is fantastic. First of all, this is a fantastic piece of music. And second of all, in the midst of our dancing, a little crowd is approaching us, and before we know it, we are all engaged in a circledance which included probably half of the arena, and eventually the other few who didn’t participate had to move over so we could dance properly.

And yes, this is a big deal. Because even metalheads in Sweden – they don’t… really do this kind of thing. The Swedish myth isn’t a myth, it’s true – Swedes, or perhaps nordic people I don’t know, like to stick to themselves and their crew, and to see that many people spontaneously getting together warmed my heart a lot.

2015korpiklaaniorebro2

The main difference from last nights set was the lack of “Happy Little Boozer”. We’re not sure if they did that on purpose, or if they forgot it, or if it was because of the annoying person yelling “Juodaan Viina” throughout the entire set who forced them to skip “Boozer”, but it was gone nonetheless. Doesn’t bother me THAT much, but still.

But all in all – despite lack of “Boozer”, and despite of annoying men yelling “Juodaan Viina” this gig was probably the better of the two, shockingly. Despite us seeing close to nothing, despite the small arena. I enjoyed it so much.

After the show was done, so many people came and complimented us on our dancing, using words as “enchanting”. Michelle said afterwards that, “This is what will make us famous”. She’s probably right. Or at least infamous. We even got compliments from the securityguards and the wardrobelady, which we had NO idea could actually even see us!

Of course, this forced us to once again not being able to walk. It took longer than it should to get to the parking lot where my mother would pick us up, but we got there eventually.

I seriously wanna thank all the people involved on this trip – Korpiklaani, Grimner and Michelle for giving me one of the most fantastic weekends this year. I loved every bits, and it ended way too soon, if you ask me.

Now, it’s time for us to recharge quickly, because guess which two are getting back to work in six hours? Yup, us.

// Sara

Korpiklaani @ Klubben, Stockholm, 25/9 -15

Posted in Concerts, Music, Uncategorized with tags , , on September 25, 2015 by Sara Hammerzmith

Finally, finally, the day we had kind of been waiting for had finally, finally, arrived. We got up around 10 or so and started running around like crazy hyenas trying to pack the last few things before going downtown to catch the bus, and for once, we were actually quite ahead of time. That doesn’t happen very often.

Much to our dismay, we got a replacement bus. Every once in a while, Swebus replaces their amazing buses with replacement buses which does NOT provide you with the internet, poweroutlets and everything else Swebus promises you when they advertise. I understand that this happen sometimes, but it’s starting to happen a lot. And it screwed up a lot for us, since we had planned to do some work on the bus but that can’t be done without internet so…

Anyway. Despite this, we did at least make it to Stockholm and since we took a bus that departured a bit later than originally planned, we had to hurry a lot. We threw on our clothes, threw on our make up and went down to Subway to catch some quick dinner or lunch or whatever you wanna call it – proper food at least, and then over to Fryshuset.

I’ve been here a couple of times before, seeing HammerFall, Lordi and Cinderella to name a few, and despite that, I struggle EVERY SINGLE TIME to remember where to go when leaving the subway. Gladly, the volunteers of the police were very helpful.

We arrived right when Grimner was about to start. So, as someone who’s not very familiar to Grimner, I can’t write too detailed about them, but I really liked them. They are the perfect opener for Korpiklaani, that’s for sure.

grimnersthlm1

And after they were done… we began waiting. For a very short time actually, Korpiklaani went on stage 15 minutes ahead of schedule. I like that, a band who actually GO ON STAGE once everything is set up and doesn’t diva around with staying off just because they can. And, to no surprise, they opened with “Viinameän Mies”.

They continued on very strongly with “Journey Man”, followed by “Pilli on pajusta Tethy”. They continued down the path of “Noita” by following it up with “Lempo” and perhaps one of our own personal favorites – “Sathi”.  I’m not sure if it’s like, their best song ever, but we sure as hell have SO MUCH FUN at that song. Traditional dances are the shit, seriously. I’m positive I could go to Scandinavian follk(metal) gigs solely for the reason to do traditional dances. And also. Some bands have a guitar solo, and some bands has an accordion solo.

I thought it would be safe to go get something to drink right after “Sathi”, because seriously, I was getting worn out, but of course, it was a perfect time for them to do “Ruumiinmulta”. Like, only one of my absolute favorites of them. Gladly, or perhaps sadly, depending on how you view it, it wasn’t a lot of people there and the venue is quite small, so it was easy to get back and forth from the bar.

“Petoeläimen kuola” was next song on the list, and then… then my friends.

“Sumussa Hämärän Aamun”

This is probably my absolute favorite of Korpiklaani. At first few listens, I wasn’t the songs biggest fan, I can admit. But as most things I dislike at first, it intrigued me and after a while… yes. What more could I even add to it. Okay, I need to get going, I’ll write more about my love for this song some other time, but to get back to the subject; atmospheric is a very good word to use to describe the feeling in the venue. Red, dim lights and Jonne letting his voice do the work… highlight. HIGHLIGHT.

klaanisthlm1

Instrumental time spelled “Vaaringpolka” was followed by “Viima” and “Kultanainen”.

Slowing down the set a little bit again with “Minä Näin Vedessä Neidon”, followed by another “Noita” song – “Ämmänhauta”. I love this song. It kinda goes hand in hand with “Sumussa”, don’t you think?

I haven’t really spoken a lot of Korpiklaani’s performance just yet. But I might as well just tell you – they were so on it. They very jolly on stage and delivering a flawless performance. “Kylästä Keväinen Kehto” was next song on the list and after this it was time for that one song the majority of the Korpiklaani crowd are waiting for.

“Vodka”.

We had originally planned to get into the pit for this one, but after observing during the night the people that participated in the pits throughout the night, we decided against it. There was one guy who was particularly violent to the people in the pit, like, to the extreme that people actually LEFT  the pits halfway through because of his violence, so we stood on the outside causing our own little mayhem with traditional dancing again.

klaanisthlm2

“Vodka” was followed by “Rauta” (seriously, this song!) and they wrapped up the set with “Happy Little Boozer”.

They left the stage, but really, they weren’t long before they were right back on stage starting off the extras with “Pelloonpekko” which invited to even more dancing. Seriously, can we have Korpiklaani every week?

Jonne joined the boys on stage and they wrapped up the entire set with “Joudaan Viina”. The band thanked for the night, blasted their cover of “We’re not living in America” and left the stage. After catching our breathes for a moment, we started to walk home.

Which was easier said than done. It has been quite some time since I was THIS worn out after a show – not even the five shows long Noch Ein Bier wore me out this much, that should count for something, right? I’m not joking nor exaggerating when I tell you this – when we were walking up a fair staircases, I had to grab onto the handle on the side in order not to fall down. My legs weren’t carrying me. Even when walking on a straight line, I had to hold onto a fence if there were any available. People must have thought we were drunk or something, but really, we were just tired.

We went back to the same subway and was greeted with the worst possible service, headed back to the hotel, ate and then passed out in bed.

Korpiklaani was absolutely amazing. I’m so thrilled and happy and glad and jolly and what not that we are going to see them again tomorrow. Fucking amazing. I can’t wait.

// Sara

REVIEW: Leave’s Eyes – King of Kings

Posted in CDs, Music, Uncategorized with tags , , , , , on September 23, 2015 by Sara Hammerzmith

At the top of the pack, as far as symphonic metal goes, Leaves’ Eyes has spent over a decade brining us world’s history set to music, and this time around, the lyrics are about Norway’s first king, Harald Fairhair. To create the magic that is this album, they’ve had help by the White Russian Symphony Orchestra, as well as the London Voices choir. If this wasn’t enough, the album also features guest-vocals by Simone Simons from Epica and Lindy-Fay Hella from Wardruna.

The first thing I notice about the album is the distinct atmosphere. While Leaves’ Eyes has a strong catalogue with enchanting melodies and epic arrangements, this one catches my ear a little bit more, as it has incorporated a bit of that medieval, or perhaps viking elements which helps setting the mood and tune for the entire album, which is set in the viking era.

The lyrics are well-written with a strong story-telling vibe. Together with this arrangements, it brings you right into wherever the songs may be set. And it gets even better by the occasional instrumentals. One thing that I really liked about this album, was that I didn’t really notice when the song changed. And unlike Butcher Babies, were all the songs would sound the same, this time it was all because of the instrumental which prepared you for the next song, and helped you get into the mood. I love these kind of things – when the bands or artists really make an effort to make it a listening journey, rather than just an album.

So let’s talk a bit more about the songs. I’m going to move straight onto my personal favorites – “King of Kings” – the epic, atmospheric bar-setting titel-track of the album which gives you a premonition about what is about to come, the more intense “Halvdan The Black”, the feasting song “Vengeance Venom”, the epic “Sacred Vow” and can we take a moment to appreciate “Edge of Steel”, featuring Simone Simons from Epica. And I guess Epic would be the right word to describe this song. It does make me think a little bit about “The Quantum Enigma”, so I’m not surprised I like it. The calming rhythms in “Haraldskvæði”, all of this wrapped up with the playful “Sword in Stone”.

But, to sum this up, I really like this album, okay. It’s a solid album with quality material. Well-arranged, well-written, well, everything really. It’s a step up from the previous albums, and even a tad bit better if you ask me. I hope they stay on this track in the future, but regardless – they should be proud of themselves as far as this album goes.

LE_KOK-C_1500x1500
(Label: AFM Records)

CDON I Amazon I Ginza

// Sara
Note; Lindy-Fay Hella guests on “Blazing Waters.