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Mötley Crüe @ Globen, Stockholm, Sweden 16/11 -15

Posted in Concerts, Music, Uncategorized with tags , , , , , on November 16, 2015 by Sara Hammerzmith

So… I don’t even know how to begin this blog. I’ve been seeing Mötley Crüe live quite a few times on and off since 2007, and knowing that this is supposed to be the last time I’ll ever see them. It feels a bit surreal… I don’t… I don’t even know how to put this to words. So I won’t for now.

The day began lazily. For once, ONCE we actually had the opportunity to sleep in. I think we got up around noon, had breakfast and took a quickie downtown before we met up with our amazeballs friend Robert for some dinner before the show. It was raining like there was no tomorrow, but we somehow made it to Taco Bar anyway. We had a fun dinner with lots of jokes and plans and whatnot before we headed out in the rain again to get to Globen and the very last show.

As soon as we got out of the metro, we ran. Not because we were late, but because THE RAIN. Rain is all cool when you sit inside, with your window open and a few lit candles and a “nice” (*cough* Hunger Games *cough*) book, but not when you are about to go to a show. Gladly, since we were so “late” there were practically no queue at all, so we got in immediately. Directly, we headed for the merchandise to get the for me, mandatory tour programme. That is pretty much all my current budget allows, but on the other hand, I must admit there weren’t a whole too many good designs.

At this point, it was about ten minutes left until Alice Cooper would go on stage, so we went down to the standing area. To our surprise, it was actually pretty…thin. I mean, not entirely, but I really thought there would be more people than this.

With a five minute delay, Alice Cooper went on stage to the rhythms of “Black Widow”. He quickly followed up with “No More Mr Nice Guy” and kept up that pace throughout the whole show. The set of the night were pretty similar to the shows he’s done earlier this year, of course a bit shorter because of time, sparing only the “hits” or the “good ones”, in what also felt a quicker pace than usual.


Regardless of this, Alleysan never, and I tell you NEVER, fail to entertain. Like I told you before – I wasn’t sure if I came for Mötley Crüe or for Alice Cooper, and despite seeing this set for about the third time this year, he still entertains me. And also. Seeing the Frankenstein doll on the big screen did freak me out a bit. I’ve never seen it so up-close, and now I was actually frightened by the details. Good on you, Mr Cooper.


Alice left the stage, and left us waiting for Mötley Crüe. I’d lie if I say I wasn’t having mixed feelings about this. On the one hand, I couldn’t wait to see Mötley Crüe again, because despite them being so “bad” they are still Mötley Crüe, it’s still all those songs I love. But on the other hand, I didn’t want it to be over.

And right now time, the intro song started and the boys started the show with “Girls, Girls, Girls”. I must admit, I was a bit surprised by the choice of song, but… how can I care, how could I possibly care that much when Tommy, Vince, Nikki and Mick are on stage. It’s hard to comprehend that it was really only five months ago I saw them before this… But it’s something with Mötley Crüe, and it has always been. Whenever they come, I come.

Second song of the night were “Wild Side” followed by “Primal Scream”. And what can I say… This is a big show. There are pyros and fire-spewers literally everywhere, explosions and what else. A pricey show, I guess you could call it.


The second guitar was brought out, and the very song that actually began my entire fanhood of Mötley Crüe was ripped off – “Same Ol’ Situation”. For the last time. This was followed by “Don’t Go Away Mad (Just Go Away)” and “Smoking In The Boys Room”.


“Looks That Kills”, “Mutherfucker of The Year” and “Anarchy in the U.K” was fired off before the arena went completely dark, only to be lit up by Nikki Sixx putting his mic stand on fire for “Shout at the Devil”. For those of you who may not know, Nikki Sixx’s current mic stand hangs from the top of the stage down, and has a up-side down star on it, much like the album cover.

“Louder Than Hell” came on before it once again becomes completely dark, but this time to the tunes of “O Fortuna”. I wasn’t sure what to expect from this, more than that I stood a long while thinking about from where I recognized the song (Clash of the Choirs, Team CANS) and then, Tommy Lee came out for his drum solo.

And finally, I got to figure out what the big metal thing standing half way into the arena was.

It was the rollercoaster. 


After all these years. After all these years, and all these prototypes.. it was finally here. The rollercoaster. The Rollercoaster Tommy Lee had spoken about so much in the past. Finally, it was here. And it was damn good. He started his drumsolo accompanied by some club music as the rollercoaster slowly started going upwards and then starting to twist and turn a bit. He went for the ride all the way to the center of the arena, which so happened to be exactly where we were standing.

When sitting there in the middle of the arena, Tommy got emotional and talked about this moment, and how important it was for him, but also how saddened he was, and how heavy his shoulders were from what had happened in Paris just a couple of days prior, and asked for a minute of silence. Of course, there will always be jerks who has to yell through things like this, but it was really, really beautiful. He then started his ride back to the stage where Mick joined him for a mind-blowing guitarsolo.

“Saints of Los Angeles” was quickly fired off after this, followed by “Live Wire” and “Dr Feel Good” before wrapping the whole set up with “Kickstart My Heart”. And what an ending, my god. Nikki and Vince were put up on “elevators” and shoved out in the audience. Oh my. What an ending. Confetti and pyros EVERYWHERE. It’s like they used all their last power.

They thanked for the night, and left the stage.


In the middle of the arena, where Tommy’s rollercoaster ended, there was a drumset. We weren’t sure what to make of it, but we hoped that maybe Tommy’d play it. And when we saw the crew start to prep it, we realized that we, or at least I, would come closer to Mötley Crüe than I have ever done before. And we were right. After a bit of time, they came up on the little podium together for one last good bye in “Home Sweet Home”.

And by that, it was over. Done. Finito. The very last time I’d ever see Mötley Crüe… was over. But this, this my friends, were the best good bye I’ve witnessed so far.

I went to this show with the worst expectations possible. I expected to barely even recognize the songs, to see Mötley Crüe being out-shined by Alice Cooper, but at least see the people who meant so much to me. But I got more. I got a Mötley Crüe who could play together. I got a Vince Neil that actually SANG all, or at least most, of the words, which he hasn’t always done in the past. I got to see Nikki Sixx talk about how a knife represents persistence and that with that, you can go far. I got a Mötley Crüe who seemed genuinely happy to play. I wasn’t sure if I came for Alice or Mötley, but I came for Mötley. I really did. And most importantly…


…Mötley Crüe delivered one of the best shows I’ve ever seen them do on their very last show in Sweden, and I’m glad I was there to witness it. 

Thank you, Mötley Crüe. For all these years.

// Sara

Katy Perry @ Globen, Stockholm, Sweden 22/3 – 15

Posted in Concerts, Music, Uncategorized with tags , , , , on March 22, 2015 by Sara Hammerzmith

We went up fairly early, but somehow I managed to fall back to sleep and much to my despair I noticed the time was ten to seven and I practically DASHED out of bed, changed, packed and headed out of the hotel. It was supposed to take about 30 mins to walk to the central, and the bus was leaving in 20. Somehow, we managed to make the bus with just a few minutes to spare and our hearts up our throats.

With that said, we started our journey towards Karlstad and Stockholm. Michelle was hoping off in Karlstad in order to head over to Manchester, and I was continuing onto Stockholm. Why?

Because Katy Perry, that’s why. 

Katy Perry… where do I begin. She’s basically the love of my life. I don’t even know how to explain it, or how to put it into words… But it’s something with her music that reaches in to your very core, puts it’s arms around it and hugs it tightly. Relatable songs, as if she’s watching from above, but not only that, she also got the easy get going cheerful songs to get your mood up. I don’t know, she’s my saviour, that’s really all I can say. I had waited six years for her to come to Sweden, and this was the day.

Said and done. We arrived a bit a head of time to our destination and I immediatley hit the hotel to drop off my shit, give Michelle a call and get ready for the show. I headed over to Globen fairly late actually, but it was all good. Hit the merchstand for a tour shirt, tourprogramme and a button pack. It hit me that I have more buttons with artists as Lady Gaga and Katy rather than metal bands. LOVE IT.

Went down to the standing area, picked up a drink and popcorn, took a decent place and started to wait for the opening act, Charli XCX.

I’m more of a major in Metal, so I didn’t initially recognize her name, but once she started playing some of her songs I realized I knew most of them. This happens only with pop songs, but I must say I was happily surprised to realize it was actually someone I somewhat knew of (I need to get better att checking out supportacts)


I’m not sure how long she played, I didn’t clock it, but it was an extremely energetic set, I was impressed! And I was also impressed on how into it the audience was, it was quite the difference from yesterdays shenanigans… With all that, she left the stage and the final waiting began.

This was gonna be it. The moment. The moment I had been waiting for for so long. I’ve been a fan or hers since 2009 , and I’ve never seen her before. I got the tickets in June last year, do you understand how long time it is?

After waiting for a good half an hour or so (with a rush to the bathroom just-in-case) the lights went out and the show was on.

Basically, how it started was Katy elevating out of this triangle from the middle of the stage, and she did so to the pure tones of “Roar”‘s intro. Out she steps, the lady of the night in a dress made out of reflective silver pieces with LED lightning following the lines. Fucking love it.

The show is massive, alright, you can tell already here. Props all over, a lightning show that sends EVERYTHING ELSE YOU HAVE EVER SEEN TO SHAME and all these backup dancers… Ahh. It’s pretty much everything I ever thought Katy to be.


“Part of Me” was next song on the list and I couldn’t do anything but to stare (and dance and sing) at the lady. The amazement that is her. “Wide Awake” was fired off before it was time for one of the best moments of the show.

“This Moment”.

First of all, this song is a personal favorite of mine, but aside that… THE LIGHTSHOW people. You HAD to be there to see it, it was almost like crystals who shot out of the lights, and it was sparkles all over the arena, you could spin around and just see it all over. This only lasted for the first chorus, but the rest of the song had other stunning lights. The song faded over to “Love Me” before she left the stage.

And returned with a gigantic horse.

A dark horse.

Clad in Cleopatra inspired clothes sitting up on her horse she performed “Dark Horse” to us in a MASSIVE way. Like, I was never too hyped about the song on the album, but DAMN. This song is amazing live. Damn.


“E.T” and “Legendary Lovers” was next on the list, and damn, these songs are so amazing. Sometimes I really forget how fucking amazing she is. And this is probably because she is way better live than she is on CD. Which is much appreciated. And the massive show… dancers in the roof, the light.. ahhh.


“I Kissed A Girl” was fired off before she left the stage and had us watching Kittywood before returning with an ensemble of cats for a toned down, almost showkind of version of “Hot N Cold”. Imagine real old lounge music sung by some fancy lady. That’s pretty much what this was. LOVED IT, despite it being so unexpected. And what happened after this? THE RAT MAN.


This is literally my favorite shot from the whole concert. Basically, the ratman appeared running around causing trouble, but thanks to the cats, we could get rid of him.

Next, was “International Smile”. AND THANK YOU FOR THAT ONE. This one is my favorite song off “Prism”, since it sometimes feels a bit like us, traveling around for all these bands and everything, and I must admit I was so happy see so many of my own favorites ending up. Maybe my bad old luck with setlists are finally over? The song eventually faded out in “Vouge”.

After this, it all got a bit toned down. She changed into this beautiful butterfly kind of dress, almost like the Fairy Godmother in Cinderella. She brought up a fan on stage to take a selfie with her, and then she took the mic and began with “By the Grace of God”. She proceeded to pick up a guitar and perform an acoustic version of “The One That Got Away”.


Something I noticed, is how emotional Katy seemed. She looked like she was crying, or about to, in many of her songs. And I can see why, some of her songs are really emotional, but it was just… yeah. I haven’t seen such vulnerability to stage in a very long time, it makes me glad. That we can share the moment like that.


“Unconditionally” was dedicated to her crew and brought the whole crowd into a singalong that sends Steel Panther to shame.  After it was done, she left us for a little while only to return with “Walking on Air” with her being attached to a wire in the roof while walking on the air. Love it.

“It Takes Two” was next on the list before it was time for the big audience favorite – “This is How We Do” / “Last Friday Night” where she sent out BIG champagne bottles, shoes, lipsticks, you name it! Ah, she’s like a child. I love it. I mean this in a very, VERY good way.

“Teenage Dream” was next on the list before she left to change and came back to fire off “California Gurls”. Love it. They brought out the letters “HOLLYWOOD” and played with the lightning again. LOVE IT.

She left for a good while, and then returned for the first encore, which was “Birthday”. She brought up a fan that had her birthday on stage and put her on a throne and dedicated the song to her. She then proceeded to get into a swing and fly all around the arena, and how do you possibly match this up if not by throwing out a million balloons and confetti? That’s right.


She left again, and this time the screen on the stage advised us that it was time for Prisma Vision.

What is prisma vision? Well, pretty much all the guests had been given certain glasses, like 3D glasses sort of, if you like, and now was the time to put them on for the very last song of the night, which was “Firework”.

And damn. DAMN. DAMN. The effects made with these glasses! It was insane. What before was just some screen savers turned out to be actual fireworks, the pyrotechnics got intenser and rainbows all over the place. What an ending! How could anyway ever actually top this? No one can. NO ONE.

With that, she thanked for the night and walked off stage. And by that, Prismatic World Tour was over.

Katy Perry. You’ll never actually read this yourself, but THANK YOU. Thank you so much, for this show, for your music, for your existence. You are one of the reasons I’m still alive and I owe my life to you. This show was one of the best experiences I’ve had in my life, and I’m so thankful I got to be a part of this. Thank you, from the deepest corners of my heart.

I could not have had a better ending for this tour-week. With this show, that week was over. I left Globen with the biggest smile on my lips.

This is what I call perfection.

// Sara