Sumussa Hämärän Aamun

Posted in Uncategorized on October 8, 2015 by Sara Hammerzmith

So finally, after some time, I’ve gotten myself a new passport. It expired in September, and I had planned originally to get a new one first when I needed one, but then I all of a sudden planned a trip to Belgium and had to do it sooner rather than later. And then I forgot about it, and then I finally got to it and did it.

So, it feels weird in a way. Like the end of an era. I used the old passport the first time going to Finland in 2010 for Lordi’s releasegig for “Babez For Breakfast”. BABEZ! That is like three albums back from where we are now! I’ve seen so many places with this passport. This passport took me to Denmark, to the United Kingdom, to Spain, it has taken me to Germany, to Italy, to Belgium… And now we write a new chapter with the new passport.

The last ever trip I used my passport for was to the Noch Ein Bier fest in Germany. And the first trip with my new passport will be to Belgium and Wolfsnäschte tour + Delain’s tour.

So yeah, the end of an era and let’s start a new, five year era with lots of new countries, concerts and people.

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// Sara

 

Dismal

Posted in Uncategorized on October 7, 2015 by Sara Hammerzmith

If we look away from all the boring things that is work and school and all the adultish must, I actually went up a little, LITTLE earlier than usual today in order to buy some very, very important thing.

SlipKnot tickets.

You see, being a Outside The 9 member, you get a pre-sale code (a code SlipKnot has a tendency to give out publicly on FB anyway later on) which you can use to get tickets before everyone else that hasn’t bothered to sign up for the maillist that is OT9. So, even if I got up early, it was quite casually. So casually I even forgot it for a while until a picture of the band popped up on my dash and I was like “Oh. Right.”.

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Said and done, tickets are in box, and hotels are booked for literally every show we have left this year, even though we currently only hold tickets for Nightwish and Mötley Crüe, but now we don’t have to worry about hotels or buses or anything like that, we can for now focus only on Australia, which is quite a relief. I have a few more buses and such to book, but it’s a no biggie.

Talking about the rest of the year. I wonder why it is, the fact that you always get tickets to the show who are the furthers away in time. We don’t hold HammerFall tickets, which is technically the next coming show, but we sure as hell hold tickets to SlipKnot and Toto.

Why?

// Sara

School’s Out

Posted in Uncategorized on October 6, 2015 by Sara Hammerzmith

If we look away from everything that is work, we had a, in my opinion, pretty good band rehearsals. We’re still working with Alice Cooper’s “I’m Eighteen”, and I’d say that we have done some major progress. Like, I know I miss out here and there, and that I screw up here and there in my playing, BUT, it feels smooth.

Like, I keep going, I don’t miss out on some of the fills, started to add some more fills slowly but surely, and it got pretty good. It finally feels good you know? That we are really getting somewhere. Slowly, but getting there.

And speaking of getting somewhere, I find it amusing, more amusing than anything, that we can’t ourselves set a date for when to come home from Australia, but after further inspection, I notice that the time period we have thought fits PERFECTLY between SlipKnot and Toto. It’s getting closer and closer to be confirmed now, that I’m actually getting a little scared. AUSTRALIA?! Haha.

So once again, thank you, Toto and SlipKnot, for making our decisions when we can’t.

// Sara

Purity

Posted in Uncategorized on October 5, 2015 by Sara Hammerzmith

So, something I’ve been anticipating for some time, is SlipKnot’s return to Sweden. After they announced a few shows in Russia, I was more than certain they’d come along soon enough. And today, my friends, the dates were announced!

January 20th next year, city is Gothenburg and venue is the Scandinavium. 

As you can see, this makes somewhat of a clash with our original plans to go to Australia, as Lordi has their first show on January 23rd. So at first, we were superbummed, but figured we’d get tickets just in case rather than missing out and then missing out on Australia too, but then I took a closer look at the flights and I saw the light.

I saw that there was a possibility for us to do both SlipKnot and Australia. 

It will be tight as hell of course, but it’ll be such a rush. Running from place to place, once again. And thankfully, this has forced us to finally choose a date to when we will arrive in Australia. And, since Toto plays in February some time, so it kind of gives us a time frame to work with for Australia.

So, SlipKnot next year – I’ll be there, maybe I’ll see you there, and thanks to the Knot and Toto, we have finally started to get somewhere with our planning.

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(Shot at Hovet, Stockholm in February 2015)

// Sara

Eight Years

Posted in Uncategorized on October 4, 2015 by Sara Hammerzmith

So, apparently, I’ve been blogging at WordPress for eight years. And this means I’ve been blogging for eight years. Eight, long, years on the same blog.

It has changed. It was in Swedish, then English, then Swedish again and now back to English since I realized I wrote mostly for myself, but also for my close friends and 90% of my close friends are non-Swedish speakers, so here it goes.

And since I write a lot about non-Swedish bands, it makes only sense to write in English, in case people are interested, or the bands themselves at times.

But yes. Eight years so far, and here’s a toast for another eight years!

// Sara

Moment of Clarity

Posted in Uncategorized on October 3, 2015 by Sara Hammerzmith

This day has been spent in bed most of the time. Why?

Because I’m sick. Would you believe it. On my first day off in forever, I’m sick. Of course, after a 12 hour shift, when I will finally have some time off, I’m sick. Sick as hell.

So what have I been doing? Absolutely nothing. I watched three movies in a row, which is a lot for me, I’ve been sleeping more than usual and I’ve been lying in my bed and stared at the neon lights in the “roof” of the bed.

So now I’m just going to continue listening to Beatrice Eli and continue to complain about my non-existing misery. Next up; “What’s Love Got To Do With It”. I love that movie.

// Sara

What’s Love Got To Do With It

Posted in Uncategorized on October 2, 2015 by Sara Hammerzmith

So today was a bit of a killer. After spending all day and night at Nöjes last night, I had to get up at 2.30 to get to work, and when I got home I planned to sleep a few hours before starting my other jobs… which didn’t happen, because my third job acted up a lot.

They screwed up some deliveries, and despite explaining my situation, about my schedules and all, she had the nerve to tell me to “Work as hard as you can on Saturday!” No. Seriously, that won’t happen. I can’t write too much about it just now, I wanna settle it with the company first.

We settled it for the day, gladly, but I need to have a conversation with the manager on Monday about this. This job isn’t THAT well-paid that they can treat their employes just anyway they want it.

But, to make it a bit of a better day, I got my hands on these today;

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Tickets for the Toto show in Stockholm next year! My sleepcycle got a little screwed up because of this, but so worth it. They were fantastic at Sweden Rock, so I look forward to seeing them again.

// Sara

W.A.S.P @ Nöjesfabriken, Karlstad, Sweden 1/10 – 15

Posted in Concerts, Music, Uncategorized with tags , , , , on October 1, 2015 by Sara Hammerzmith

So, this was quite an eventful day actually! I went to town quite “early”, or well, at 13, to meet up with Linn and Michelle in order to attend a guitarclinic with W.A.S.P guitarist, Doug Blair.

So basically, we got there and it was… not a lot of people. Perhaps about 20, I thought it would be a bit more, but then again, Thursday 13…. perhaps not. Regardless, we all got into the little room and sat down and he came on pretty directly.

It was an interesting teach. To my surprise, it wasn’t too much technical guitarstuff, but more about his story and journey, and what to think about as an aspiring musician. He of course played us some stuff, it was things he had done for Orphaned Land, Lord of the Lost, some things he WANTED to do for Deathstars and some W.A.S.P material. The teach was over sooner than I wanted it to, what I mean to say here is that it was so fun and inspiring that it went so fast. Afterwards we got the opportunity to meet him and say hi.

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Afterwards, we parted ways with Linn and went home to catch something to eat, watch a movie, get dressed for the night and eventually headed down to the arena for the show.

Since I’m a bit of a time optimist, we got on the road a tiny bit late, and it didn’t get better with us getting stuck behind a major truck who drove the wrong way, but according to my co-worker who worked at the venue that very night, we hadn’t missed a lot.

So, the first supportband of the night was the Norwegian thrashband Critical Solution. In all honesty, I wasn’t too fond of their music, it… I don’t know how to explain it. It didn’t really feel that special to me, but their image was cute. It was like merging a heavier band with the Murderdolls. It was odd, but a bit fun.

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After this, we actually headed for the front row. I have seen Dynazty a couple of times before, however, I’ve never seen them with “Renatus” in their baggage, and since I didn’t really become a fan of Dynazty until that very album, I was really, REALLY excited for this one.

So, they walked on stage ar 20.30 sharp and opened the whole set with “Run Amok”, which.. startled me a little bit. I had assumed they’d start with “Cross The Line”, which actually became the second song on the set instead. Oh well then!

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For the third song of the night, my personal, not only Dynazty favorite, but favorite song all in all through times, “The Northern End” came. And seriously… this song… Like I’ve told you. It’s absolutely perfect. And it was just as perfect live. I love these guys. “Dawn of your Creation” was next on the list, followed by “Unholy Deterrent”.

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They wrapped the set up with “Raise Your Hands” and at last, “Starlight” before they left the stage. As you can see, it was a very “Renatus” dominated setlist, making every song but one from said album, but I’m not complaining at all. It was a really good show, I’m very pleased.

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After this, the wait for W.A.S.P began. Anna and Linn came to join us, but after some consideration, we decided to give up our front row spots for an old classmate and his girlfriend instead, since we weren’t really big enough fans of W.A.S.P to really find the pressure and drunk people worth it.

They were a bit late when they entered the stage, but once they did so, the arena… well, they gave them a welcome, perhaps not the warmest, but a welcome nonetheless. They opened the show with “On Your Knees”.

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They continued on with “Inside the Electric Circus”, “The Real Me” and “L.O.V.E Machine”.

And let me talk about something here for a moment. So, while I’m no superfan of W.A.S.P, I know their deal, and I know Blackie is a little bit of a diva nowadays, and I know he has strong opinion against people photographing. I can understand that it’s boring to play a show with a lot of phones straight up your face, and it is absolutely okay to prohibit photographing, if you announce it properly – by for instance, putting up signs.

Anyway, where I wanna go with this is the actions of the security guards. There was only one security guard who was even remotely active in looking into the crowd, sadly, he spent most of his time looking for cameras and making sure people weren’t photographing. Actually, it was more important for him to look for cameras, that he missed out on this one guy beating a girl. He missed out on this one guy pushing everyone for no reason, causing mayhem. He ignored this one guy who pulled down Linn a lot. He missed out on this one guy who repeatedly almost elbowed Anna in the face and so on. I can go on forever about people who were a little more than a concertgoer should have to deal with, and despite trying to get the attention, they were too busy looking for peoples cameras.

And when a request of the band becomes more important than paying customers safety, something is terribly wrong.

And perhaps Blackie should ask himself… why are they so attached to their phones? Why don’t they give things back? Perhaps the problem lies with him? Perhaps he isn’t delivering anymore. Perhaps he doesn’t give any energy to the crowd to feed off by, and if he can’t deliver why should the crowd?

Anyway. The set wasn’t very long in all honesty – They began around 21.45, and they were done a bit before 23. It was mixed materials – some old, some “Golgotha”, very mixed. I’m confused though – Doug said they were going to have a new set up on stage, but I can recall them having the same, or similar, set up just three years ago when I saw them the last time.

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I’m actually a little disappointed. Or a lot. In W.A.S.P that is, not Dynazty, not even Critical Solution. Blackie’s attitude just turns me off, and the way the security guards acted the entire evening kind of ruined the whole show. And the hype around this tour… too much. Anna was even confused afterwards by the fact they didn’t play “Chainsaw Charlie”, nor did they do “Blind in Texas”. I mean sure, you don’t have to do ALL your hits… but apparently they played the first two in Gothenburg and Malmö.

Odd. Very odd. Well, I’m not sure if I’ll be turning to W.A.S.P again after this, and in all honesty, I realized yesterday that I always went to see W.A.S.P because of the supportbands, so I guess it says it all.

After the show, we spent some time with my coworkers before heading home, catching like one hour of sleep before going to work. No rest for me!

// Sara

 

 

 

Girls

Posted in Uncategorized on September 27, 2015 by Sara Hammerzmith

So basically. The first thing that happens after a show, is to go back straight to work. I started out in the stable, moved on to distributing commercials. I’m sort of wiped out in bed now, but it’s what you have to do.

The contrast is facsinating though. Like, only 24 hours ago we were at Kulturhuset enjoying Korpiklaani, and now we’re here. And how fast it goes. And how we go from perhaps one of the best nights in our lives right back into the normal patterns of every day life.

This next week will be a killer. But I guess W.A.S.P could be fun.

// Sara

Korpiklaani @ Kulturhuset, Örebro, Sweden 26/9-15

Posted in Concerts, Music, Uncategorized with tags , , , , , , on September 26, 2015 by Sara Hammerzmith

So, this day started very interestingly, to say the least. At first, I struggled falling asleep because Michelle snored like there was no tomorrow. I kid you not – I went to the bathroom to brush my teeth, and I would hear her snoring all the way out in the hallway. After I woke her up, she stopped. So it was fine. Then I’d wake up then and then, perhaps because of “new” bed.

And then, I woke up in the morning because of a lot of noise. And I was so pissed, because it says very clearly outside that it should be silent between 22-08, so I was so ready to go and complain about it, but I was too tired. Eventually, I woke up for real and checked the time.

10.35.

10.35. The check-out due is 10. We were supposed to get up at 9. We freaked out, to say the least. Gladly, the hotel was a bit over-seeing with it, and let us do a late checkout without any additional expense. Than you, Hotel Micro! This is why I keep returning to you, always and forever.

Anyway. We got out around 11 and hit up the first Espresso House we could find to have probably the most expensive breakfast we’ve had in a very long time. We started moving towards the buscentral, but we did a quick stop at Creole. It’s really one of my favorite stores in Stockholm, so I’m so sad to see them close. I managed to pick up a pair of earrings though, will be great when I get my second pair of holes.

We thought about going to Blue Fox, but decided against it. Which was great, because the bus was set to departure five minutes earlier than I thought. I guess it was good in a way that we had the “Miss the bus” protection on those tickets, after all.

This time, we DID get the good bus, with extra legspace, leatherseats and all that stuff. Helped me a lot to finish up writing about the show last day, and to prepare myself for a maybe Delain show. For some reason, Delain was the only thing I could listen to.

We arrived in Örebro around 16, and we, alongside some other Korpiklaani fans, got off the bus and then we headed downtown. We wanted to find some store to find elastics for my hair, but instead we ran into a friend of mine. I wasn’t sure at first if it was her, but it was indeed! It has been a few months since I last saw her, so it was really good to just bump into her! Sadly, she told us all stores closed at 16, so off to Burger King we were, and we sat there for about two and a half hours. And what did we do? Well, first of all, sloweat, because I’m a sloweater. We planned the night, drew up some drafts, re-booked bustickets and then we changed clothes and put on our make up and all that stuff. at 18.30 cirka, we headed over to the arena, which was ten minutes walk from Burger King, I want to add. Oh. I went for the straight look, for a change, by the way.

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So, we got to the arena and we sat outside for quite some time. They never opened the door. We didn’t quite understand why, I mean sure, we’ve been around for a long time so we have dealt with delayed doors time, like Noch Ein Bier for instance, but it felt so weird. When about 20-25 minutes has passed, a guy sitting at the open bar service mutters that the doors are around the corner, literally 90% of the people sitting at that open bar got up and left. So, we weren’t the only ones who were wrong, gladly.

The thing is, the place where the entrance was were also where the tourbus was. And since it was on a “backstreet”, we were pretty sure it was the backstage entrance, but apparently, it was both. We got downstairs, turned in our gear and the first thing we noticed was how small the place were.

We were in this location called “B-Salen” which I suppose is the smaller arena of the venue. It was as small as Knastret, the second hand record store we have here in town. It looked a bit like Knastret too – it had the same thing with the stairs, the decor, everything. Cozy. But we were surprised.

The only thing I don’t like with small venues like this, is the fact that the stage is almost floor size, which makes it hard for anyone who isn’t in the first three rows to see very good. So that was the only downside, but aside that, I can’t complain more. I like small places.

Just as in Stockholm, Grimner walked on stage a bit early. They were supposed to go on at 20 sharp, but got on stage somewhere 19.40-19.45. Again, I don’t personally complain, it’s more.. It isn’t too fun for the people who really believe they will start sharp.

But, lets forget about that for a moment. Grimner. The set was just as good and energetic today as it was yesterday, and it was a bit more exciting to see them today, as we knew a little bit more of them now. But yes, really good and really fun. The audience was with them too, gladly. Not as much as last night, but still in.

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(Because of lack of useable pictures of Grimner from Örebro, I serve you one from Stockholm)

Anyway, after this, the… fairly short wait for Korpiklaani begun. Last night, we had already witnessed them going on stage about 15 minute prior to their stagetime, and we were very… weirded out by the fact that the  host had set one hour between Korpiklaani and Grimner, when they only did 30 minutes the day before. They were said to go on stage at 21.30, so we had to wait and see, I guess.

Already when they check the last mics, I see the entire band – Jonne standing on the side of stage.

And then, the intro finally started.

And at the very time Matson entered the stage, the time was around 20.45. 

We are talking about 45 minutes. 45 minutes early, according to their original stagetime.

While this isn’t personally a problem for me, and I think everyone likes when bands doesn’t diva around and wait just because they can, being 45 minutes early is problematic. The most likely reason, is a typo from the host. That they meant 21.00 sharp, and not 21.30. What is remarkable, is the fact that they actually wrote TWICE that they’d start at 21.30. And that makes me question why on earth Grimner, and then Korpiklaani, would go on stage so early?

Anyway. Back to the show, they opened with “Viinamäen Mies” and despite it being a fairly small crowd, the welcoming was very big and warm.

The setlist was pretty similar to yesterday, so there is no particular point for me to break down the setlist song by song, but I will speak a bit about the atmosphere.

Nothing bad against Klubben now, because I love Klubben as a venue, but seriously. Korpiklaani in a small sized venue is something very, very special. First of all, Michelle and I were on the top of our game with our dancing, impressing people to the left and right during songs like “Sathi”, “Ruuminmultaa” and “Juodaan Viina”, but some of the most magical songs of the evening was found in, first of all, my all time favorite of course, “Sumussa Hämärän Aamun”, but also in a song I was never fond of, but has grown on me thanks to this very show; “Lempo”. Yes, I said it. I was never fond of “Lempo”, but I’m sold now.

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But my highlight of the entire evening was “Pellonpekko”. What? And instrumental song? What the heck? No see – this is fantastic. First of all, this is a fantastic piece of music. And second of all, in the midst of our dancing, a little crowd is approaching us, and before we know it, we are all engaged in a circledance which included probably half of the arena, and eventually the other few who didn’t participate had to move over so we could dance properly.

And yes, this is a big deal. Because even metalheads in Sweden – they don’t… really do this kind of thing. The Swedish myth isn’t a myth, it’s true – Swedes, or perhaps nordic people I don’t know, like to stick to themselves and their crew, and to see that many people spontaneously getting together warmed my heart a lot.

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The main difference from last nights set was the lack of “Happy Little Boozer”. We’re not sure if they did that on purpose, or if they forgot it, or if it was because of the annoying person yelling “Juodaan Viina” throughout the entire set who forced them to skip “Boozer”, but it was gone nonetheless. Doesn’t bother me THAT much, but still.

But all in all – despite lack of “Boozer”, and despite of annoying men yelling “Juodaan Viina” this gig was probably the better of the two, shockingly. Despite us seeing close to nothing, despite the small arena. I enjoyed it so much.

After the show was done, so many people came and complimented us on our dancing, using words as “enchanting”. Michelle said afterwards that, “This is what will make us famous”. She’s probably right. Or at least infamous. We even got compliments from the securityguards and the wardrobelady, which we had NO idea could actually even see us!

Of course, this forced us to once again not being able to walk. It took longer than it should to get to the parking lot where my mother would pick us up, but we got there eventually.

I seriously wanna thank all the people involved on this trip – Korpiklaani, Grimner and Michelle for giving me one of the most fantastic weekends this year. I loved every bits, and it ended way too soon, if you ask me.

Now, it’s time for us to recharge quickly, because guess which two are getting back to work in six hours? Yup, us.

// Sara