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REVIEW: Kissin’ Dynamite – Generation Goodbye

Posted in CDs, Music, Uncategorized with tags , , , , on August 15, 2016 by Sara Hammerzmith

It’s been two years since the success of “Megalomania” and a lot has changed since – the most noteworthy being the break with their management. Since then the band has dealt with everything themselves – promotion as well as organizing, and now lastly, producing their album completely on their own, letting them control everything and get exactly the sound they want. “Generation Goodbye” is a eleven songs long album that, according to guitarist Ande, “represents a feeling of longing, break up and a new start”. With this information in hand, it’s safe to say that the album is probable the most honest and genuine album they have produced so far.

I have two things to say about this album: Musically, it’s a roller coaster ride from start to finish. It starts off initiating, the music almost preparing you for dystopia with bombastic choruses telling you “Here we are, here we stand”, giving you this doomsday feeling, before being sped up and taking off with “Hashtag Your Life”, then slowing down in the powerballad “If Clocks Were Running Backwards” before going up the rails again only to unleash in “She Came, She Saw”, only to be slowed down again for “Masterpiece”, taking off and then dying out in the serene, but bombastic “Utopia”, draining you on the little mental energy you have left.

Lyrically, however, it’s a clear battlefield. The lyrics goes from, practically criticizing society in songs like “Generation Goodbye” and “Hashtag Your Life” to heartbreaking songs about lost love in “If Clocks Were Running Backwards”. There are songs about being a warrior in your own private battlefield – your life – in songs like “Somebody to Hate”, as well as a few partyhymns.

My personal favorite song on this album is “She came, She saw”. A seductive piece of music who sends you into the deepest corner of the filthiest stripclub you can find, being conquered of the feeling of wanting something you can’t have. The music is stirring up emotions in you, leading you in on this seductive path leaving you drained in the climax of the chorus.

It’s a pretty solid album – but it’s not necessarily better, nor worse, than the previous one. Aside some heavier lyric material, it’s not a lot of surprises. While most of the songs are very good – and they are really good – it sadly leaves the “bad” songs a bit more mediocre, leaving the album a little bit scattered for my opinion. And I’m not sure how I feel about them repeating the same trick in almost every song -It’s leaving it a little bit predictable, you know?

Overall, it’s a good album. It’s a very enjoyable album, the different songs keeping it interested while listening to it in a whole go. And like I said – the good songs are really, REALLY good, which make it worth it! I’d recommend it, most certainly if you are into 80’s kind of rock.

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(Label: AFM Records)

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// Sara

 

 

 

REVIEW: Brainstorm – Scary Creatures

Posted in CDs, Music, Uncategorized with tags , , , , on January 15, 2016 by Sara Hammerzmith

German band Brainstorm was founded in 1989 by Torsten, Milan and Dieter, but it was first in 1997, following a few EP releases and a lot of live shows they finally released their debut album “Hungry” which received a lot of good critics. Ten studio albums later, we find ourselves here with their most recent release – “Scary Creatures”.  Question: Will it be better than their previous, “Firesoul”?

It starts out pretty heavy with “The World To See”, and it’s a bit… creepy, you know, like Lordi creepy? It felt like a good start, so I had every intention to like this album. Sadly, this wasn’t the case.

The thing is, pretty much all the songs seem promising at first, but then they lose it all in the chorus. I’m not sure what it is – perhaps I had too much expectations on the album due to previous works and because of the label the label put on the album, but the album is lacking something – and it’s lacking in the choruses. But if we are going to look away from this for a moment – it’s a pretty heavy album.

But it’s not only bad. There are two songs that actually are pretty cool – “Take Me To The Never” which carried a pre-chorus to die for, and the titletrack “Scary Creatures” which was a really good track. Something that does bother me a little bit about the album is the mix. I can’t seem to get over how… I don’t like the mix that much, in all honesty.

So to sum it up. It’s a heavy album, but also a decent album. If you like Brainstorm you should most definitely give it a go, but it doesn’t outrun it’s proceeder, “Firesoul”

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(Label: AFM Records)

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// Sara

 

REVIEW: Rhapsody of Fire – Into The Legend

Posted in CDs, Music, Uncategorized with tags , , , , , , on January 13, 2016 by Sara Hammerzmith

Italian symphonic metallers Rhapsody of Fire started their career already backin the ’90s, then under the name Rhapsody, but due to legal issues they had to rename the band. The band has a strong backcatalouge and and now back with their fifth album after the name-change.

The album opens up with a powerfull opening hymn, with a tint of premonition in what is about to happen, and it completely EXPLODES into the opening track “Distant Sky”. And my god, what a song. The build up with the pre-chorus, with it being stopped and continued and then exploding into the the gigantic chorus… Well, I guess we can simply say they made a great first impression.

And it only gets better. The songs are majestic and epic, they have great choirs and magnificent musical arrangements. The way they have inducted the strings orchestra and choir, together with amazing work by the talented people (The guitarsolo in “Into the Legend” is giving me eargasm after eargasm) in the band can’t be anything but closing to a masterpiece.

While the album has an amazing continuity, all songs are not the same – some songs has a more folk-element to them (“A Voice In The Cold”) and some are more aggressive and forward (“Winters Rain”) and then we have the long last experimental piece at the end – “The Kiss of Light” which is a 15 minute piece mixture of metal, opera and atmospheric music, showing off the broad talent of the band.

Than can I say other than this album being a pure masterpiece? Well, it’s perfect. I’m consider myself lucky to have been able to review this album, and I can’t wait to dance around the place to the tunes on this one.

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Label: AFM Records

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// Sara

REVIEW: 21Octayne – 2.0

Posted in CDs, Music, Uncategorized with tags , , , , on January 11, 2016 by Sara Hammerzmith

21Octayne consist of three guys from Germany that are all well-established in the metal community, having played with some of the big icons. So, they all got together and formed the hard rock band we now know as 21Octayne. In 2014, they released their long awaited debut ”Into The Open” which was received well by the critics, and now they are back with their second one – ”2.0”

So, let’s move on to the album. It starts pretty cheeky, with a catchy uptempo song, where we see proof of Hagens amazing vocal capabilities. Sadly, from there, it goes downwards. The album is, in my taste very flat. No real surprises, most songs sounds the same. There are a few OK songs – like ”Lost” which I found pretty cute.

And then there’s ”Tale of a Broken Child”. Despite not being a fan at all of the album in it’s entirety, I fell in love with this song. The lyrics, the melodies… Ah yes. They hit it right with this one.

Sadly. One song isn’t exactly what I need to call this a good album. They will get some credit for being a DIY album, seeing Hagen is doing most, or all, of the production work, and it’s a clean production. But there isn’t much more I can say about it than that, sadly.

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(Label: AFM Records)

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// Sara

REVIEW: Leave’s Eyes – King of Kings

Posted in CDs, Music, Uncategorized with tags , , , , , on September 23, 2015 by Sara Hammerzmith

At the top of the pack, as far as symphonic metal goes, Leaves’ Eyes has spent over a decade brining us world’s history set to music, and this time around, the lyrics are about Norway’s first king, Harald Fairhair. To create the magic that is this album, they’ve had help by the White Russian Symphony Orchestra, as well as the London Voices choir. If this wasn’t enough, the album also features guest-vocals by Simone Simons from Epica and Lindy-Fay Hella from Wardruna.

The first thing I notice about the album is the distinct atmosphere. While Leaves’ Eyes has a strong catalogue with enchanting melodies and epic arrangements, this one catches my ear a little bit more, as it has incorporated a bit of that medieval, or perhaps viking elements which helps setting the mood and tune for the entire album, which is set in the viking era.

The lyrics are well-written with a strong story-telling vibe. Together with this arrangements, it brings you right into wherever the songs may be set. And it gets even better by the occasional instrumentals. One thing that I really liked about this album, was that I didn’t really notice when the song changed. And unlike Butcher Babies, were all the songs would sound the same, this time it was all because of the instrumental which prepared you for the next song, and helped you get into the mood. I love these kind of things – when the bands or artists really make an effort to make it a listening journey, rather than just an album.

So let’s talk a bit more about the songs. I’m going to move straight onto my personal favorites – “King of Kings” – the epic, atmospheric bar-setting titel-track of the album which gives you a premonition about what is about to come, the more intense “Halvdan The Black”, the feasting song “Vengeance Venom”, the epic “Sacred Vow” and can we take a moment to appreciate “Edge of Steel”, featuring Simone Simons from Epica. And I guess Epic would be the right word to describe this song. It does make me think a little bit about “The Quantum Enigma”, so I’m not surprised I like it. The calming rhythms in “Haraldskvæði”, all of this wrapped up with the playful “Sword in Stone”.

But, to sum this up, I really like this album, okay. It’s a solid album with quality material. Well-arranged, well-written, well, everything really. It’s a step up from the previous albums, and even a tad bit better if you ask me. I hope they stay on this track in the future, but regardless – they should be proud of themselves as far as this album goes.

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(Label: AFM Records)

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// Sara
Note; Lindy-Fay Hella guests on “Blazing Waters.

REVIEW: Stahlmann – CO2

Posted in CDs, Music, Uncategorized with tags , , , on August 28, 2015 by Sara Hammerzmith

German metallers Stahlmann has had quite an impressive career. Right after the release of their first EP, “Herzschlag” AFM Records signed them and in 2010, their self-titled debutalbum was released. They did numerous of tours following the release, and it was followed up with “Quecksilber”(2012) and “Adamant”(2013) which both made spot on the German Media Control Albums Charts.

With their robotic-like image, Stahlmann is once again back with their fourth album, “CO2” that is said to be similar to previous works, but will now show a more mature side of the band. With the addition of electrical and dubstep elements, they hope to reach a bigger crowd.

So, how about the album then?

How should I describe it. It’s very… dramatic. In a way. There’s a lot happening in each song. It can go from sort of aggressive to very calm in just one song, and they have a lot going on with the electrical parts. As far as arrangements goes, this is actually pretty impressive and keeps the listener interested.

However, there’s about where it stops. Because sadly, most of the songs sound the same. I barely notice when the song changes, aside a few exceptions such as “Die Klinge” and “Speigelbild”, which is a tad slower than the rest.

Towards the end it does get better.”Wenn Engel Tanzen” and “Der Letze Tag” are actually pretty decent songs, and it almost makes it worth listening through it. However. I have one big problem with this album, and it lies in all of the songs.

This is so influenced by Rammstein you can hear the hamster from Knappnytt singing “Du Hast” through it.

The first thoughts that went through my mind when I heard the music starting, was Rammstein. When Mart started singing, all I could think of was Till Lindemann. Both music and sound are so alike Rammstein that I’m not sure what to do with all of this. It’s decent material… but it’s too close for me to call it original, which makes it lose a bit of it’s credibility.

To sum it up; Decent material, but it’s not original enough. Sorry Stahlmann, unTill next time…

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(Label: AFM Records)
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// Sara