Archive for the great tour

Sabaton @ Papp László Sportaréna, Budapest, Hungary 22/1 – 20

Posted in Concerts, Music, Uncategorized with tags , on January 30, 2020 by Sara Hammerzmith

So, on it again we were! Time for another show on this amazing tour. But this time around, I had landed in Budapest at my dear friend Szilvi’s place. For the occasion, Marci had gotten us early entrance tickets (at least me and her) so, about an hour before the doors opened with decided to go wait in line. We might have early entrance, doesn’t mean we’ll be first in unless we wait in line.

A few people were in front of us, and quite a few decided to queue jump – next time I’ll kill you just so you know – but at the end of the day, we all made it. We secured the same kind of spots infront of Tommy as I had in Zürich, so at the end of the day -all was well.

Cyril got to join us a little later and we convinced him to try to join us, because you never know once the crowd starts moving right?

And then, the lights went out and it was time for Amaranthe to start.

Amaranthe

The “Helix” intro rolled out in the crowd and the band started off with “Maximize”. Elize as regal as always entering in her large cape taking the space on top of the stage like the actual queen she is.

“Digital World” followed suit, and it was just as epic as the show before. Not much to complain about when it comes to this band, they are pro’s. “Hunger” followed suit before it was time to dial it down a bit with “Amaranthine” again. Yet again an amazing performance from Nils and Elize, true royals!

“GG6” and Henriks own little moment followed up later, and then my personal favorite once again in “Helix”. And after this, however, it was time for a little change.

Instead of doing “Endlessly”, as they did in Zürich, it was now time for “That Song” instead. Which.. was a downpoint for me. I reallt don’t like this song. But oh well, what can you do right?

“Call out my Name” was next on the list before the show was wrapped up elegantly with “The Nexus” and the party song “Drop Dead Cynical”.

Another amazing show by the band, well enjoyable and amazing. So happy to have seen them again, even though I can sometimes.. Lose it for them, it is always instantly made up once you get to a show.

After a little bit of wait, it was time for Apocalyptica. And speaking of that. The girls standing next to us actually left, giving Cyril a front row spot. Like I said, you never know right?

Apocalyptica

Again the men got on stage and started off their set. It was yet again a pleasureable set, even though I find myself hard to enjoy it to the fullest, except when Elize joins them on stage and turns everything into pure perfection. But with that said, thank you again Apocalyptica!

The mood went down once again and got a bit epic with the symphonic sountrack echoing again, and it really does set the mood, doesn’t it? And with that, “In Flanders Fields” echoed everywhere, and the show was on..

Sabaton

The intro for “Ghost Division” started and another bombastic start to a grand show was on. “Great War” followed suit as per usual, and then it was time for “Attack of the Dead Men”.

And.. It’s possible I didn’t pay attention enough in Zürich, but for this time around, ALL of the bandmembers came out on stage in gasmasks. They threw them off by the second verse, but holy hell! That was pretty wild.

“Seven Pillars of Widsom” followed suit and then “Diary of the Unknown Soldier” announced the appearance of “The Lost Battalion”. The energy in the venue was pretty good actually, a bit better than in Zürich. Maybe because I stood right next to a knucklehead who was dedicated and into it, but for some reason always held out a flag right infront of me and my friends eyesights. Sigh.

“The Red Baron” came up next and I STILL THINK THAT JOAKIM DESTROYS THIS BY TALKING. Just let Richthoven enter and let him just start the intro without so much talking. If you wanna talk about the organ, do it AFTER. Please? But still, this part is amazingly lit and it’s probably my favorite part of the shows.

The bells for “The Last Stand” appeared on the screen and another amazing execution of that was made, followed by “82nd All The Way”.

The stage went dark, and sirens and red lights appeared as “Nightwitches” was about to be played, with another amazing execution, can’t really complain here. But I will come to later…

Apocalyptica joined forces on stage, and it was time for “That part” of the show, starting off with “Angels Calling”. While, like I think I mentioned before, it has never been a major favorite for me, I’m still SO HAPPY that these older, REAL OLDER, songs are making their way back into the setlist.

They kept the boys on stage, and “Fields of Verdun” followed suit, then “Price of a Mile”.

As the Apocalyptica boys were doing “Dominium Maris Baltici”, the whole band left the stage and much to my surprise, they all came back clad in a caroleans officer jacket, and this time much more detailed than the one Jocke’s had before, and “The Lion From The North” was next.

And then, it was time for “Carolus Rex”. Normally, as a swede, this part of the show is my jam right. There might be moments where I’m like.. This part is the best or that is the best, BUT, this is my jam. And I’m unforgiving.

So when Joakim starts “Carolus Rex” by singing “Proved in battle…” I was just like… EXCUSE ME.

WHAT. ARE. YOU. FUCKING. SINGING?

And I remain unimpressed for a real long time, even though gladly he got on the right track. I’m really so unforgiving, aren’t I?

The band left the stage after this (SERVES THEM RIGHT) and the intro video for “Primo Victoria” showed its face, and the band came back to whipout the last few songs – “Bismarck”, “Swedish Pagans” and lastly “To Hell And Back”. WITH PROPAGANDA FLYERS. I was unreasonably happy when these were sent out. It’s not even okay. But I just love them okay?

After the show, we stayed by the barrier just a little longer time, and gladly we did! I got handed a setlist by one of the crewguys thanks to it. Thank you! Love you!

After the show, we hung around, caught up with some other friends and then we headed home.. for like… three hours of sleep.

Thank you everyone involved in this, Szilvi, Marci, Cyril – you are the best.

// Sara

Sabaton @ Hallenstadion, Zürich, Switzerland 17/1 – 20

Posted in Concerts, Music, Uncategorized with tags , , , on January 27, 2020 by Sara Hammerzmith

And here it is at last. The tourstart for The Great Tour. At first, I wasn’t exactly pumped for it, BUT, one day, when walking down the Promenade on deck 5 on the boat, hearing them blast “The Lost Battalion” really made me want this part of my gigantic tour to come.

And then yet, once home in Belgium I lost the will for it again, but this time I blame the jetlag for that. But, inevitably, the time was here now, and I was actually pretty excited. We headed over to the venue to start lining at 12-13 somewhere between there, and there wasn’t a lot of people, but some.

Later on, I found Cyril and met Océane, which was pleasant! Once it was time for us to be let in.. it kind of became chaos. I think people don’t really have much of respect for who was there first and not, and the venue itself was complicated too. First inside and then try to find the hall for the standings. But teaming up with Cyril and Océane helped getting into somewhat the spots we wanted, so at the end of the day, getting sick as a chyte would be worth it.

We took a bit of turns going to the bathroom and quickly checking out the merch before the wait for Amaranthe began, and precisely at 19, it started.

Amaranthe

With the intro of Helix, slowly emerging into the intro of “Maximise” Amaranthe one by one entered the stage and hit it off with aforementioned song. Elize comes out on stage like a regal goddess in her new stage attire, the biggest piece a regal cape. Absolutely stunning.

Surprisingly, the crowd didn’t seem to feel Amaranthe at all. Which.. surprises me. I always took them for being pretty popular in most places, but I guess not here? Well well, more for me!

After this rather grand opening, the band went straight into “Digital World” which is pretty much anyones headbang jam, if they really are headbangers that is, and then into “Hunger” which holds pretty much the same position.

They slowed it down a notch with the next song, “Amaranthine” and we had yet another beautiful moment with this song. This song really is grand, isn’t it? And she executes it so perfectly.  From this, straight into my own personal favorite “Helix” (I’m so happy this one made the cut, I was really worried, haha!) and it was time for Henrik to have his little moment in “GG6” as he and Elize battle it out together.

Elize is in my eyes always the winner, and she showed exactly why in the next song, “Endlessly” where she pretty much put everyone who ever tried to hate on her to shame. Time for some more upbeat following next in “Call Out My Name” before they wrapped up an amazing “tourstart” with “The Nexus” and “Drop Dead Cynical”.

Thank you so much for an amazing start. This was way too short, and I can’t wait to see them more times on this tour, and then their little headline show later.

And with that, the wait for Apocalyptica began. Which, gladly, wasn’t too long.

Apocalyptica

So, I regret to inform you all that I’m not too familiar with Apocalyptica. I’m very familiar with their concept, and saw them live before, BUT – I am not familiar with their own stuff, so it won’t be a very detailed rundown sadly on their show.

They did however play a very good show, and the few songs performed with Elize was nothing but pure perfection. The show was more enjoyable than I thought it would be, so that is also a huge plus. Thank you so much Apocalyptica!

Throughout the venue, the soundtrack to the Great War started echoing out, as per usual by now I suppose – I don’t mean to sound rude, it’s just that, if you attend one show then you just know how the routine works now, am I right?

As the stage was being set, the album continued before the volume was upped a few notches the “In Flanders Fields” echoes.

Sabaton

After this sweet serenade intro, the newmade intro for “Ghost Division” went on and off they went opening with.. “Ghost Division”. I had hopes. I had hopes. But no more. A bombastic and energetic intro as per usual, not much has changed.

“Great War” was next song on the list, and I don’t think song as well as the execution will ever stop to be as epic as it is. For the next song, Joakim briefly left the stage and let the band start off “The Attack of the Dead Men” themselves, and then he comes back out and he is clad from head to toe in a gasmask and uniform, walking around with a gas dispenser. Wow, what an upgrade! Slowly but surely, the performance is starting to live up to the songs!

He left the stage again to get “undressed” and soon came back to announce that the next song would be “Seven Pillars of Wisdom”. And if this song isn’t all the rage, I don’t know what is. The band left the stage momentarily and “Diary of an Unknown Soldier” and set off with “The Lost Battalion”.

A very interesting looking piano, or apparently organ, was brought on stage. The organ has the shape of Richthovfen’s Albatross plane, or at least some parts of it built like it. Joakim joked around a bit with “Swedish Pagans” and then introduced an organplayer dressed up as Manfred and off they went with “The Red Baron”.

And YES. I just say YES. This is a step in the right direction. This is somewhat something I actually always pictured they’d do. The only thing I personally wish they did was to cut the talking and just shut down the lights and let this dude do his thing amongst blinking red lights… Skip the talk, really!

“The Last Stand”, pretty much my personal highlight on the entire show came next, although these days I can’t really hear it the same way anymore. I’m not sure if that is a good thing or a sad thing, but oh well right?

“82nd All The Way” was next on the list, and then “Nightwitches” which actually came as a surprise for me, that it comes THIS early in the setlist. But oh well?

From here on, some familiar faces in the forms of Apocalyptica joined the stage, and the band set off to perform “Angels Calling”. While I never really enjoyed this song, ever, I’m still happy to see some old songs make their way back into their setlist, if they were ever on it from the start.

Joakim figured it’d be a great idea to keep Apocalyptica for a few more songs, and so they did “Fields of Verdun”, “The Price of a Mile” as well as “Lion from the North” and “Carolus Rex” was all performed together with Apocalyptica.

After Carolus, they left the stage and the introvideo to “Primo Victoria” started rolling, and the encores were set ablaze.. literally.

“Bismarck” followed suit and then finally “Swedish Pagans”. Although, I sense that the crowd here didn’t really ask that much for it. It’s finally dying! The whole hype is finally dying!

After this, they wrapped up the set with “To Hell and Back” and the show was over.

It was an amazing show, although sans propaganda flyers for us front rowers? What? Well, anyway. It is what it is, right? After the show I headed over to the merch and bought the posters, and I’ll look into more merch on later shows.

So, once again. An amazing tourstart. Finally things are starting to happen. It’s becoming something. Finally!

// Sara

 

Sabaton Cruise X – The Battle Ship: Part 2

Posted in Concerts, Music, Uncategorized with tags , , on December 11, 2019 by Sara Hammerzmith

Once the soundtrack edition reached “Fields of Verdun” it did a gigantic leap from there onto “In Flanders Fields” which serves our intro for the night. Grand, yes it is.

And, as per usual, “Ghost Division” is the opening song. I’ll be damned with this song, I’m telling you. I’ll be damned. But great energy, right? Even for us, I’ll admit. The excitement hit the roof!

“Great War” was the grand next song on the list, and if this isn’t the perfect continuing, then I don’t know what is. The stagelights turned green, and I’ll admit I was at first a wee bit surprised at it’s arrival this early in the set, but “Attack of the Dead Men” was next on the list and the hilarity ensues.

At some point through the number of times I’ve seen Sabaton, I just kind of stopped paying 110% attention to the show, and more focused on having fun. In any sort of way possible. The set continued on with “Saboteurs”, a song I want to say I haven’t heard in quite some time which sadly is a lie, yet I’d still say it’s a rare one!

While the joke is starting to get a bit old, it seems to continuously entertain the crowd. Telling the crowd they are about to play “Swedish Pagans”, but instead start playing a different song, in this case, “40:1”. Which is a much, much better option to the aforementioned song. They followed the vein of Polish pagans by performing “Uprising” next. Seriously, I can not ever get enough of this song.

“Carolus Rex” was the next song on the list, and as you can imagine – the cruise might be international, but you can still sense it. The seriousness, and the buildup from the primary Swedish crowd… It’s amazing. “Talvisota”, another rarity (unless you are from like Finland) showed its face, much to everyone’s pleasure!

The red lights went on, the sirens out and it was time for Misa’s assigned song “Nightwitches”. Assigned songs? That’s another story. But it was the complete rage of our group! Lights out once again as the story of the unknown soldier echoes out and “The Lost Battalion” was next.

There was time for yet another “Swedish Pagans” joke, but this time they ended up performing “Seven Pillars of Widsom” instead, which is a first for all of us in the group. They originally deubted this song at the last show of the NA tour, in Silver Springs to be more exact, so despite that and possibly the Helsinki show, this is a rather new addition!

The very so familiar spoken words from an album released long ago started, and it made me so incredibly happy. “The Art of War” remains my top favorite Sabaton song ever, and everytime they decide to pop it out – it’s one of those come and go songs – my heart skips another beat and I’m in a state of total euphoria.

Which didn’t last all too long since my not so much favorite song “Fields of Verdun” followed suit, but gladly, it was just a little grounding moment as my personal assigned Sabaton song came on next. The candle, “Dominum Maris Baltici” echoing meant only one thing.

“Lejonet Från Norden”. Ah, what a pick me up this song is. Right after this, it’s time for a major singalong in “En Livstid i Krig” before they FINALLY cave in, or we all cave in and they wrap up the entire set with “Swedish Pagans”. I guess it was simply time for it, what do you say?

And with that said, the show was over. Yet another great performance, even though the setlist to my personal liking was a bit basic with a few nice surprises – but I’ve just stopped expecting too much.

Once the area had calmed and cooled down, we headed back to our cabin, got a change of clothes, grabbed our Magic Decks and found ourselves in the Starlight Palace with a drink, and playing a few rounds of Magic before retreating for sleep. Tomorrow, Tallinn!

// Sara