Archive for apocalyptica

Sabaton @ Hallenstadion, Zürich, Switzerland 17/1 – 20

Posted in Concerts, Music, Uncategorized with tags , , , on January 27, 2020 by Sara Hammerzmith

And here it is at last. The tourstart for The Great Tour. At first, I wasn’t exactly pumped for it, BUT, one day, when walking down the Promenade on deck 5 on the boat, hearing them blast “The Lost Battalion” really made me want this part of my gigantic tour to come.

And then yet, once home in Belgium I lost the will for it again, but this time I blame the jetlag for that. But, inevitably, the time was here now, and I was actually pretty excited. We headed over to the venue to start lining at 12-13 somewhere between there, and there wasn’t a lot of people, but some.

Later on, I found Cyril and met Océane, which was pleasant! Once it was time for us to be let in.. it kind of became chaos. I think people don’t really have much of respect for who was there first and not, and the venue itself was complicated too. First inside and then try to find the hall for the standings. But teaming up with Cyril and Océane helped getting into somewhat the spots we wanted, so at the end of the day, getting sick as a chyte would be worth it.

We took a bit of turns going to the bathroom and quickly checking out the merch before the wait for Amaranthe began, and precisely at 19, it started.

Amaranthe

With the intro of Helix, slowly emerging into the intro of “Maximise” Amaranthe one by one entered the stage and hit it off with aforementioned song. Elize comes out on stage like a regal goddess in her new stage attire, the biggest piece a regal cape. Absolutely stunning.

Surprisingly, the crowd didn’t seem to feel Amaranthe at all. Which.. surprises me. I always took them for being pretty popular in most places, but I guess not here? Well well, more for me!

After this rather grand opening, the band went straight into “Digital World” which is pretty much anyones headbang jam, if they really are headbangers that is, and then into “Hunger” which holds pretty much the same position.

They slowed it down a notch with the next song, “Amaranthine” and we had yet another beautiful moment with this song. This song really is grand, isn’t it? And she executes it so perfectly.  From this, straight into my own personal favorite “Helix” (I’m so happy this one made the cut, I was really worried, haha!) and it was time for Henrik to have his little moment in “GG6” as he and Elize battle it out together.

Elize is in my eyes always the winner, and she showed exactly why in the next song, “Endlessly” where she pretty much put everyone who ever tried to hate on her to shame. Time for some more upbeat following next in “Call Out My Name” before they wrapped up an amazing “tourstart” with “The Nexus” and “Drop Dead Cynical”.

Thank you so much for an amazing start. This was way too short, and I can’t wait to see them more times on this tour, and then their little headline show later.

And with that, the wait for Apocalyptica began. Which, gladly, wasn’t too long.

Apocalyptica

So, I regret to inform you all that I’m not too familiar with Apocalyptica. I’m very familiar with their concept, and saw them live before, BUT – I am not familiar with their own stuff, so it won’t be a very detailed rundown sadly on their show.

They did however play a very good show, and the few songs performed with Elize was nothing but pure perfection. The show was more enjoyable than I thought it would be, so that is also a huge plus. Thank you so much Apocalyptica!

Throughout the venue, the soundtrack to the Great War started echoing out, as per usual by now I suppose – I don’t mean to sound rude, it’s just that, if you attend one show then you just know how the routine works now, am I right?

As the stage was being set, the album continued before the volume was upped a few notches the “In Flanders Fields” echoes.

Sabaton

After this sweet serenade intro, the newmade intro for “Ghost Division” went on and off they went opening with.. “Ghost Division”. I had hopes. I had hopes. But no more. A bombastic and energetic intro as per usual, not much has changed.

“Great War” was next song on the list, and I don’t think song as well as the execution will ever stop to be as epic as it is. For the next song, Joakim briefly left the stage and let the band start off “The Attack of the Dead Men” themselves, and then he comes back out and he is clad from head to toe in a gasmask and uniform, walking around with a gas dispenser. Wow, what an upgrade! Slowly but surely, the performance is starting to live up to the songs!

He left the stage again to get “undressed” and soon came back to announce that the next song would be “Seven Pillars of Wisdom”. And if this song isn’t all the rage, I don’t know what is. The band left the stage momentarily and “Diary of an Unknown Soldier” and set off with “The Lost Battalion”.

A very interesting looking piano, or apparently organ, was brought on stage. The organ has the shape of Richthovfen’s Albatross plane, or at least some parts of it built like it. Joakim joked around a bit with “Swedish Pagans” and then introduced an organplayer dressed up as Manfred and off they went with “The Red Baron”.

And YES. I just say YES. This is a step in the right direction. This is somewhat something I actually always pictured they’d do. The only thing I personally wish they did was to cut the talking and just shut down the lights and let this dude do his thing amongst blinking red lights… Skip the talk, really!

“The Last Stand”, pretty much my personal highlight on the entire show came next, although these days I can’t really hear it the same way anymore. I’m not sure if that is a good thing or a sad thing, but oh well right?

“82nd All The Way” was next on the list, and then “Nightwitches” which actually came as a surprise for me, that it comes THIS early in the setlist. But oh well?

From here on, some familiar faces in the forms of Apocalyptica joined the stage, and the band set off to perform “Angels Calling”. While I never really enjoyed this song, ever, I’m still happy to see some old songs make their way back into their setlist, if they were ever on it from the start.

Joakim figured it’d be a great idea to keep Apocalyptica for a few more songs, and so they did “Fields of Verdun”, “The Price of a Mile” as well as “Lion from the North” and “Carolus Rex” was all performed together with Apocalyptica.

After Carolus, they left the stage and the introvideo to “Primo Victoria” started rolling, and the encores were set ablaze.. literally.

“Bismarck” followed suit and then finally “Swedish Pagans”. Although, I sense that the crowd here didn’t really ask that much for it. It’s finally dying! The whole hype is finally dying!

After this, they wrapped up the set with “To Hell and Back” and the show was over.

It was an amazing show, although sans propaganda flyers for us front rowers? What? Well, anyway. It is what it is, right? After the show I headed over to the merch and bought the posters, and I’ll look into more merch on later shows.

So, once again. An amazing tourstart. Finally things are starting to happen. It’s becoming something. Finally!

// Sara