Sabaton Cruise X – The Battle Ship: Part 4
And so they started rolling the intro, which again consisted of at first almost, ALMOST the entire soundtrack edition of the album before loudly presenting “In Flanders Fields”. I guess this just is the intro now.
The water started flowing on the screen and distant orchestrations started echoing as “Bismarck” opens up the entire show. Incredible opening, loving it already from the start! “Far From The Fame” came up next, and the energy was a fact!
Throwing us far back in time with the next song, as they continue on with “Attero Dominatus”. Most people who know me as a Sabaton fan knows that this song, or particularly album, holds a special place for me as it was my first. And not to mention, what a killer way to get it going, right?
“Winged Hussars”, my complete headbang jam was next on the list, not a major surprise, but still a pleasant moment. “Shiroyama” followed suit, and the danceparty was a fact, as per usual. What a shame our assigned Shiroyama wasn’t here, but maybe next time?
One of my absolute top favorites, “The Last Stand”, also known as my fucking jam, was next on the list, and there is no way to describe the complete and total euphoria that is created when this song has been sent off the rails.
Another one of my personal favorite and a pretty damn rare one came up next. “Smoking Snakes”. It shouldn’t be too much of a surprise, given they are set to play in Brazil after this cruise, but it was still an extremely, EXTREMELY pleasant surprise!
“Resist and Bite” followed suit before it was time for “The Price of a Mile” which has, since the summer and the entrance of The Great War made a nice re-entrance in the set, and I’m so happy it has.
“Screaming Eagles” was a well-needed temporise in the set, before it was time for…
…”Panzerkampf”, yet another extremely underrated song was next on the list. Why, oh why Sabaton, is this one not a fixed song in the setlist? You know extremely well that the fans love it. More than love it. Obsess it, they crave that mineral.
“White Death” came next, another one of my favorites which (for non-Finland people) is pretty uncommon – dare I assume that the “amount” of Finnish songs is due to the fact the just playing in Finland right before this boat? Yes, yes it is.
“The Red Baron” was next, and we for the first time, for me, are being introduced with this with the intro that I have since day one said they should use. The intro, and red lights, and FINALLY this is what they do. Can they read my mind, or am I just that good? Hard to tell. And this song is such a kick in the gut, ALWAYS.
Dance party in “82nd All The Way” followed, so quite a few dance parties on this set before it was time for another few workouts – one in “Primo Victoria” and one with “To Hell and Back”, two both jumping songs.
And with that, the show was over and Celine Dion’s hit single “My Heart Will Go On” as usual when ending on a cruise, echoes out. And as someone said, metalheads guilty pleasure sure is Celine Dion.
We actually remained in the venue, but waited out most of the people before retreating forward toward the stage, primarily to say hello to some friends at the front, but figured we’d stick around in this position since Civil War was due in a bit of time.
And with that, the lights went out and the band entered the stage.
Civil War
Intro rolled and they opened the show with “USS Monitor”, which isn’t exactly the biggest surprise to us who has been into the band for some time by now. It wasn’t the largest crowd that had made their way there, which is both sad and good in a way. Sad, that they aren’t attracting more of a crowd, good because this means, hopefully, that the people who were there were there for them, and not for their past.
Surprisingly, however, is the fact that the next song on the list is “Bay of Pigs”. I did not, in any way, see that one coming. So early in the set? I don’t complain, not at all. I love this song, and the mood it gets you in.
“Lucifer’s Court” followed suit, and I can’t describe the feeling of this song. It’s just something in it that just gives away, you know? “Saint Patrick’s Day” was next on the list, before “Gettysburg” and the time for the new single to be ripped off, “Dead Man’s Glory”. Nice one, for reals.
“I Will Rule The Universe” was next on the list – I think – I may not have the order completely correct I have to admit. It’s either this or “Gods and Generals” – one of them – before they wrapped up the set and left the stage for a short moment.
They returned back, and kicked off the encores with “Tombstone” which ALWAYS AND FOREVER will be my jam when it comes to this band. That. Is. One. Incredible. One.
They wrapped up the whole set with “Rome is Falling” and I had a bit of an encounter here, an incredibly humbling one. Daniel Mÿhr decided to go out in the crowd, for whatever reason, I guess to get the crowd going. He passed just by me and walked further in the crowd, and passing me again on the way out, and I motioned him to pass so I could continue clapping.
He stops. I stop. We stare at each other and in a suprised manner he just says “HI!” and looks at me and I awkwardly says hello and he hugs me and says he’s so happy to see me there, but that he has to go back to the stage. I tell him to just go go go! I never asked to interrupt his time. It’s very humbling, as the last memory of ever interacting with him personally dates 10 years back in time. I must have made an impression.
And with that, the show was over. We said good bye to some last friends before going outside, where we met up Joris. Who thought it was an excellent idea for him and Ivan to carry me back to the cabin like the queen I am. It was an extremely surprised Misa who opened the door that Joris had knocked on with the help of my foot. And with that, we retreated to the cabin, talked about what had happened and eventually drifted off to sleep…
To be Continued…
Sara Hammerzmith 
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