Archive for afm

REVIEW: Kissin’ Dynamite – Generation Goodbye

Posted in CDs, Music, Uncategorized with tags , , , , on August 15, 2016 by Sara Hammerzmith

It’s been two years since the success of “Megalomania” and a lot has changed since – the most noteworthy being the break with their management. Since then the band has dealt with everything themselves – promotion as well as organizing, and now lastly, producing their album completely on their own, letting them control everything and get exactly the sound they want. “Generation Goodbye” is a eleven songs long album that, according to guitarist Ande, “represents a feeling of longing, break up and a new start”. With this information in hand, it’s safe to say that the album is probable the most honest and genuine album they have produced so far.

I have two things to say about this album: Musically, it’s a roller coaster ride from start to finish. It starts off initiating, the music almost preparing you for dystopia with bombastic choruses telling you “Here we are, here we stand”, giving you this doomsday feeling, before being sped up and taking off with “Hashtag Your Life”, then slowing down in the powerballad “If Clocks Were Running Backwards” before going up the rails again only to unleash in “She Came, She Saw”, only to be slowed down again for “Masterpiece”, taking off and then dying out in the serene, but bombastic “Utopia”, draining you on the little mental energy you have left.

Lyrically, however, it’s a clear battlefield. The lyrics goes from, practically criticizing society in songs like “Generation Goodbye” and “Hashtag Your Life” to heartbreaking songs about lost love in “If Clocks Were Running Backwards”. There are songs about being a warrior in your own private battlefield – your life – in songs like “Somebody to Hate”, as well as a few partyhymns.

My personal favorite song on this album is “She came, She saw”. A seductive piece of music who sends you into the deepest corner of the filthiest stripclub you can find, being conquered of the feeling of wanting something you can’t have. The music is stirring up emotions in you, leading you in on this seductive path leaving you drained in the climax of the chorus.

It’s a pretty solid album – but it’s not necessarily better, nor worse, than the previous one. Aside some heavier lyric material, it’s not a lot of surprises. While most of the songs are very good – and they are really good – it sadly leaves the “bad” songs a bit more mediocre, leaving the album a little bit scattered for my opinion. And I’m not sure how I feel about them repeating the same trick in almost every song -It’s leaving it a little bit predictable, you know?

Overall, it’s a good album. It’s a very enjoyable album, the different songs keeping it interested while listening to it in a whole go. And like I said – the good songs are really, REALLY good, which make it worth it! I’d recommend it, most certainly if you are into 80’s kind of rock.

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(Label: AFM Records)

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// Sara

 

 

 

REVIEW: Borealis – Purgatory

Posted in CDs, Uncategorized with tags , , , , on July 5, 2015 by Sara Hammerzmith

Canadian metallers Borealis are returning to the scene with their 3rd album, following the smaller success of their two previous albums, “World of Silence” which was released in 2008, and “Fall From Grace” which came in 2011. “Purgatory” was recorded in the Sanctuary studios, and the recordings and mixing was done by drummer Sean Dowel, and mastered by Thomas “Plec” Johansson.

The album opens up with someone running, assumingly in the hosptial judging on the heart monitor in the background and eventually, when the heart stops beating, it launches us right into the heavy truck that is Borealis, and that track is “Past the Veil”.

And this song kind of sets the mood for the whole album. It’s heavy tunes with fast-beating drums, yet sensitive lyrics that hits hard at home. Despite them taking a step a bit further from their previous albums, it’s still the same Borealis that we already knew of.

However, what it lacks, to me, is variation. We got to ballads on the album, aside that, most of the songs sound very alike, and so do the ballads. Some songs had it’s moments – like the keyboard part in “The Chose Ones” and the trippy guitars in “Destiny” which also held some epicness…. but aside this. It was almost like it was one long song, which necessarily has to be something bad but…

There were a few songs who stood out for me – “Past The Veil”, “My Peace”, mostly because of the child reading the note in the middle of the song, and my personal favorite on the album, “From The Ashes”. I have no idea who the woman singing is, but I absolutely loved the way the song was built up, as a duet which added so much to the lyrics and the song, ultimately making it my favorite song. I have a weak spot for arrangements, and this was perfect.

So, wrapping it all up, a few decent song, but it’s a bit plain for me. But on the other hand, you have to put one foot in front of the other, and see a lot of potential here.

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(Label: AFM Records)

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// Sara