Archive for February 22, 2021

Wig Wam – Never Say Die

Posted in CDs, Music, Uncategorized with tags , on February 22, 2021 by Sara Hammerzmith

So here we go again, as they sing in the title track. It’s been around nine years since they last recorded an album and around eight years since they disbanded. I’ve found myself looking at my tracker on Setlist.fm thinking to myself “I’ll never get to see this band live again” and I’ve found myself avoiding listening to their old stuff, not because I dislike it, but because it’s too painful. But there we were. Reunion show turned into a new single turn into an album that turned into a full-blown reunion. The one band I never thought would come back together are back. They are truly back. 

Receiving the album was the most surreal feeling of it all. Holding an album I never thought would see the light of day brings a certain feeling, and this is why the review has taken so long. But here it is at last, my thoughts and words on Wig Wam’s comeback album “Never Say Die” which was released a month ago on January 22nd. So lets begin, shall we?

The album opens up with a melancholic, almost dystopic kind of tune serving as an intro – painting the picture of a deserted and beaten up path where our heroes are now making their way back to us after a battle well fought which explodes into the first track of the album, being the title track which is nothing short but of a typical Wig Wam as we know them – I’d like to be as cocky to say it’s a fine mixture between ”In My Dreams” and ”Gonna Get You Someday” with a lyrical theme speaking precisely of what happened to the band – those of us who were there – we know. And this song hits right in the feel, both musically and lyrically. 

As it progresses, it continues in the vein of the typical Wig Wam although with a more raw tone. At first thought I think mostly of ”Wall Street” as I hear the rougher tone, yet I can’t help but to hear bits and pieces from the previous albums – ”Hypnotized” bringing thoughts, discreet, but thoughts nonetheless to ”Car-Lyle”, ”Shadow of Eternity” toward ”No More Living on Lies”. 

”Kilimanjaro” is another breath of fresh air – following the footsteps of the title track it comes off as a very honest song lyrically about what went down ”back in the days” and at first listen I wasn’t a huge fan of this – however, this song has come to grow quite a bit on me. More in the style of Bon Jovi’s ”Dead or Alive” (but a lot less ballad-y) 

The ballad of the album ”My Kaleidoscope Ark” doesn’t quite reach the level of ”At the End of the Day” although it’s a nice break from the otherwise pretty rough album.

Bernt Jansen makes another appearance as singer on ”Call of the Wild”, something he started doing with ”Flygin High”, a bonus track on the Japanese version of ”Wig Wamania, and it’s nice to see him being back, he brings quite a different flavor. Speaking of solos, we are finally being granted a completely instrumental song again in ”Northbound”, which is a beautiful work but still.. Perhaps I’m too stuck in the past, but it just doesn’t reach the levels of ”The Drop” for me. Although I can appreciate it a lot as a stand alone.

The album wraps up quite nicely, a bit low key as compared to how it started out, but it feels like the perfect ending – slow, low, melancholic but still leaving a taste of wanting more. ”Silver Lining” is int a league of its own.

So. I’ll be honest. As mentioned in the beginning, this is an album I never thought would see the light of day. I’ve stared at my Wig Wam count at setlist.fm many times and whispered to myself how I’d never get to see them live again, I’ve cried at Ammunition shows when Åge decided to whip out old Wig Wam tunes and yet here we are. Nine years later, here it is. The new Wig Wam album.

I must admit that I’m not… 100% sold on it. It’s a well oiled album – it’s great craftsmanship at hand but it just doesn’t go all the way, if this makes sense? Maybe I’ve outgrown the band – or perhaps they just peaked with ”Non Stop Rock n Roll” – its hard to say, but I remember a Wig Wam that used to always improve with every album. This album has taken a heavier approach than previous works, and I’m not sure if I personally feel it fits them.

I am however, grateful that I hold it in my hand. And I’m looking forward to sharing this new era with them, with a lot less drama, hopefully.

// Sara